By ntalec
Fri Aug 13, 2010 4:36 am
jimmie wrote:
I bought the MPC as a sequencer for it's timing. That is the MAIN reason. So this really boils my spleen. Musicians concerned with tight timing don't want any frilly **** buggering it up.
Timing is number one priority in a sequencer as far as I'm concerned and that's why I haven't touched my mpc since it started goin all sloppy with the latest JJOS2XL.
Never really thought about the 1k as having good sequencer timing simply because it was the first MPC I ever saw that had weight gain problems.
The 1k has always had a glinchy nature based on how much you ask it to do, and JJ is asking it to do a lot more than Akai ever did.
Just always found myself converting tracks to Audio Tracks to free up resources whenever I tried to do anything real on the 1k as a moble option.
The only MPC that was worst was the MPC500 and those voice stealing effects.
Seriously how can you say a unit has 32 notes of polyphony but that's only with no effects running. That gave the 500 a great initial release by having effect dependent polyphony.


