For all the 5000 haters out there

yeah i think you could make some cool sounding dub step with it, its a good all rounder basically you can get what ever sound your after out of it without to much fuss thats the beauty off it i think, dunno about automating the d beam sensor though sounds interesting gonna ava fiddle round later am sure theres away with it bein midid up to the mpc to do it

The Grublet wrote:Is that Gaia do any LFO Dubsteppy ish?

I bet assigning that infered sensor to the LFO, and a sine wave, you could make mad dubstep.

Bass is one of its strong points in my opinion. Automating the LFO is a piece of cake too.

Bass is one of its strong points in my opinion. Automating the LFO is a piece of cake too.

sold. going to get one tonight.

So does it accept midi info well?

or does the software portion allow you to get to the extra parameters?

The software editor is sold separately if that's what you mean?

The shift button comes into play for a few hidden functions, but otherwise what you see is what you get.

As far as I know the faders don't send CC messages, but I think Roland may fix that in a software update. All Knobs record perfectly with the mp though.

Coz wrote:The software editor is sold separately if that's what you mean?

The shift button comes into play for a few hidden functions, but otherwise what you see is what you get.

As far as I know the faders don't send CC messages, but I think Roland may fix that in a software update. All Knobs record perfectly with the mp though.

tell me now how u automate the sensor i been battling for 3 hours now lol please put me out my misery lol

and yes i agree its awsome for bass its also awsome for ya little quirky sounds its just a good all rounder really

I've not tried to record the D Beam and I'm not at home to check. Should be straight forward though.

i think its abit cheeky them charging for the software really am not to happy about that!

BOUGHT IT.

tell me now how u automate the sensor i been battling for 3 hours now lol please put me out my misery lol

Hold the bottom button on the dbeam section (not pitch or volume, assign? not in front of it)


and then move whatever slider or knob you want to automate.



This Thing is Gangster.

beatman wrote:ha ha ha ha all you haters for the 5000, well listen to this, how an earth can you not prefer this to other mpcs, the 5000 rocks!!!! BIG TIME! all you haters either dont no how to use it or you dont no what you doin this thing is as stable as a concrete table lol


really dont no what ya problems are with it i can only think you have never owned one.
i mean am gettin to this beaut real well now and it makes other mpcs look like toys !! peaceeeeee


Just for the record my mpc is on every day for an average of 8 hours and quite often more than 12 hours happy days

lol, i would rather use a 500..

http://themegatrondon2.com/2008/07/29/teh-suck/

NO

The 5k treats the synth tracks the same as it does program (sample playback) tracks. Not necessarily a bad thing and kinda makes sense until you realize..

YOU CAN ONLY HAVE 128 PROGRAMS IN THE MPC AT ONCE..

Now on one hand that isn’t an issue.

But here’s where the problem lies.

Akai has gone and given us hundreds upon hundreds of synth patches, which is great.

However since they are treated the same as samples, you cant access all of these sounds at once to find the ones that fit your track.

They need to be loaded from the hard drive.. one…by…one..

Get this: You can’t even PREVIEW them before you load them

So now.. you have to go to the “Basses” folder for example, then sit there, load a bass, play it, decide whether or not you like it, then if you don’tlike it, go to the program window.. then open ANOTHER window from within that window, and delete it.

Wash, rinse, and repeat, until you find a bass that you like.

Oh wait.. but sometimes you have to delete a synth program 4 times before it actually gets erased from your RAM. And some will not go away, AT ALL, no matter how many times you delete them.

So I said okay, I’m going to just sit here, deal with this and load a bunch of synths and pick ones that I like and make an autoload out of them. Actually let me hook the machine up to my computer and Ill move them all to the hard drive so I can make separate autoload folders since you can’t write to the internal flash memory that the synths are stored on.

Survey says??

BUZZZZZZZZZZZ

Connecting the unit to a computer via USB only allows you to access the Compact Flash Card and the Hard Drive, not the internal flash memory.

So I really just have to sit there… sift through hundreds of sounds, load them, bang a few keys, decide then and there if like it and keep it.. and then after I have a few, save them to another folder on the hard drive so I can move all of these folders to an autoload folder eventually, without having more than say 100 of them, because remember you can’t have more than 128 programs at once.

Meanwhile I’m sitting there looking at my Fantom XR saying to myself, or I could just connect one midi cable, scroll though THOUSANDS of sounds, preview them on the fly, and be all set up and ready with a set of sounds…. in less than 5 minutes.

I could go on with this part, I won’t

Hey here’s one.. Producers, beatmakers, and users… You know how sometimes you’ll sample a ton of stuff and then want to spread it out across pads afterwards?

Well on the 4000 you could do this and as you went from pad to pad, the mpc would remember what sample you placed on the previous pad and when you went to the next pad it would place whatever sample came next in alphabetical order on that next pad. So if you had Sample 001 Sample 002 and Sample 003, and you place Sample 001 on Pad #1, and you went to Pad #2 and turned the scroll wheel, Sample 002 would assign to Pad #2, and so on.

Not on the “successor”…

Every time you go to assign a sample to a pad, it starts at whatever is the first sample in RAM.

But hey… if you have a few hundred samples in your ram already, that means that for every pad you go to assign a sample to, you are scrolling though a few hundred sounds just to get to the one you just sampled… and if you have say, 32 samples to spread across some pads.. Well hey.. you see where this is going.. see the asterisks above. It’s not tragic, just another thing that could be easily remedied with a little forward thinking and better programming.

So you know.. all that sampling I was just talking about doing?

I was doing all this on the 5k for one reason

IMPORTING FROM PREVIOUS MPCs IS BROKEN

BROKEN

BROKEN

BADLY.

Dude.. are you serious?

In 2008?

Apple computers are running Windows and OSX simultaneously through products like VMWare and Parallels..

Logic is opening Pro Tools Sessions via OMF and Digi Translator..

Mac Drive lets you use HFS formatted drives on Windows Computers..

I have Super Nintendo games on my iPhone.

Hell, there is Palm OS emulation on Windows Mobile.

Yet I can’t get my piece of Akai gear to import programs made from previous versions of Akai gear.. from the same product line?

Let me clarify:

I was able to import AKP’s made on the 4000, but as soon as I attempted to edit anything I imported (i.e. maybe just tune a 808 a bit to match something I’m working on) the pad would stop playing the sample, and would sporadically come back if i went into the sample edit page and exited it. This was the only fix I could come up with.

If I attempted to add a sound to this imported AKP program, welll… see above.

Next move was to try import a .PGM program.

Dead.. nothing.. nada.. zip

It did nothing.

Next step: Import a .PGM created in the 3rd party MPC Program Maker software

Even deader-er

I went online and did some research and came across a forum (which I can’t find now) where a user called Akai support in reference to this and after some back and forth, he was told that the software would have to be rewritten and was indeed broken.

That’s all well and good, but DON’T ADVERTISE AND INCLUDE IN YOUR DOCUMENTATION THAT IT DOES SOMETHING IT DOES NOT ACTUALLY DO!

Tell us it’s been thought about, in the process of preparation, plotted, pending, planned, post-release in a soon to be released pivotal upgrade, which we should have been previously privy to before the pondered purchase was completed…

(Carlin-ites holla at me)

And I would have been fine with that.

And oh yeah.. for some reason, this folder that I copied over a bunch of 4k programs and samples to…

Whenever I try to access this folder, I literally have to wait like 3 minutes while the unit freezes and gets itself together to prepare itself to let you scroll through files (with the weirdo wheel, see above) that it can’t properly process anyway.

I don’t know if this is a drive format issue, a drive content issue, or bad OS programming that makes your unit sh*t itself, wipe, get a diaper, and pop 2 Immodium AD’s and then say “Okay I’ll give it a shot”

Oh mind you.. this all occurred while I was trying to come up with something for.. well an album that hasn’t been announced yet, but it’s pretty major. Folks who know my writing patterns know what that means.

There were a few other major issues I had, but It’s now 9:40 am and I need to get to mastering.

But oh yeah… when it was all said and done and I actually made beat I thought was halfway decent, and wanted to save the NEW programs I made from scratch after I gave up on importing and starting fresh. I went to the hard drive.. made a new folder, selected “Save Entire Memory”

My screen said:

“Cannot Find Device… Ok??”

With an Okay button at the bottom.. that never responded when I pressed the corresponding soft key.

To the less than technically inclined…

IT FORGOT WHERE MY HARD DRIVE WAS AND NO MATTER WHAT I DID IT WAS FROZEN.

IT FREEZES WHEN YOU TRY TO SAVE ENTIRE MEMORY??

WHAT IN THE …

WHATS THE POINT OF SAVING THEN???

I said ok.. maybe it needs to pop a few more Immodiums.. So i left it on overnight.

Came in the next day.. Said screen was still in the same state I left it.

Akai FTL

FAIL.

I paid money for this thing..

I know people are probably like, “You don’t get these things for free??”

Te be honest, someone representing Akai recently did reach out in regards to doing some kind of deal in reference to the 5k, and I was considering doing it, but just hadn’t gotten around to entertaining it yet. I got the urge to mess with something new and went out and made an impulse buy of the 5000 and an MPK 49 controller because the synth thing got me a little excited.

I may have generated a few million dollars in my career, and the cash spent does not hurt me financially, but that doesn’t mean I have money to burn at the expense of bad engineering and a tad of false advertising.

I feel just as burnt as the dude who busts his back at a 9-5 just to save up enough money to go out and buy a piece of gear to pursue his dream, only to not have it work as it should.

There are some good things about this machine, and I will get into them at some point, but I really have to get to work.

And with all that said.. The MPK 49 is definitely the best standalone MIDI controller i have EVER used. I recommend it to anyone and everyone on the market for a controller. Hell, even if you aren’t on the market for one, buy one anyway. But in all honesty I also recommend that you don’t buy the MPC 5000 until they release the next operating system, IF IT address some of these issues, along with others I have read about.

There are other inconsistencies and issues I have, but I don’t want to get more worked up thinking about them again.. and I think anyone reading gets my point

Please don’t do this again Akai. As a fan, avid user, supporter, and friend. Don’t let the decline in hardware sales (or whatever is contributing to this) allow this to continue.. Quantity over Quality, Numbers over Blunders, Sales over Sincerity and Profits over Professionalism, it makes for Bad Business, Disgruntled Devotees, and Cold Hearted Customers who will Cease, Desist and Discontinue their Dilligent support of a Diluted brand. (Carlinites Unite!)

I don’t know man.. I know I sound crazy, but this really bothers me.

I wasn’t looking to have my socks blown off, just basic functionality.

I wonder who actually beta tests these things?

People in lab coats?

Do they seed them to a secret coaltion of producers?

This makes me angry.. and sad at the same time.

It’s now 10:30. I’m missing mastering.

I have to go.

Wait.. here’s a quote from their ads or propaganda or whatever..

“MPC5000′s virtual analog synth eliminates the need for users to deal with connecting external analog synth modules or working with buggy software synthesizers.”

A gun in your face and that’s the best you could come up with?

Buggy software synthesizers??

I don’t even want to do the comparison between working on something like this and say a Logic.

Because in all honesty I “feel better” working on an MP than a DAW.

But you can’t really sit there and try to go feature for feature ad throw cheap shots like that and expect people to not see through it. They do. Read the Forums.

If you can’t beat them.. join them. Make a virtual MP..

Oh wait.. someone already did.

Make your own.

I’ll help you design it.

Really.

Hell I’ll help you make the 5001 or something. Put on a white lab coat and everything.

I can’t tell you how to run your business, and in all honesty I know nothing about it.

But as an end user, I know what you are doing wrong in our eyes. And ultimately, if we are not happy…

ok I’m ranting for no reason now.

I really would though.

Bye











seiously god that is all so bullshit lmao honest to god

I never read that Beatboy But ya still a pansy who wee's his knickers

beatman wrote:NO

The 5k treats the synth tracks the same as it does program (sample playback) tracks. Not necessarily a bad thing and kinda makes sense until you realize..

YOU CAN ONLY HAVE 128 PROGRAMS IN THE MPC AT ONCE..

Now on one hand that isn’t an issue.

But here’s where the problem lies.

Akai has gone and given us hundreds upon hundreds of synth patches, which is great.

However since they are treated the same as samples, you cant access all of these sounds at once to find the ones that fit your track.

They need to be loaded from the hard drive.. one…by…one..

Get this: You can’t even PREVIEW them before you load them

So now.. you have to go to the “Basses” folder for example, then sit there, load a bass, play it, decide whether or not you like it, then if you don’tlike it, go to the program window.. then open ANOTHER window from within that window, and delete it.

Wash, rinse, and repeat, until you find a bass that you like.

Oh wait.. but sometimes you have to delete a synth program 4 times before it actually gets erased from your RAM. And some will not go away, AT ALL, no matter how many times you delete them.

So I said okay, I’m going to just sit here, deal with this and load a bunch of synths and pick ones that I like and make an autoload out of them. Actually let me hook the machine up to my computer and Ill move them all to the hard drive so I can make separate autoload folders since you can’t write to the internal flash memory that the synths are stored on.

Survey says??

BUZZZZZZZZZZZ

Connecting the unit to a computer via USB only allows you to access the Compact Flash Card and the Hard Drive, not the internal flash memory.

So I really just have to sit there… sift through hundreds of sounds, load them, bang a few keys, decide then and there if like it and keep it.. and then after I have a few, save them to another folder on the hard drive so I can move all of these folders to an autoload folder eventually, without having more than say 100 of them, because remember you can’t have more than 128 programs at once.

Meanwhile I’m sitting there looking at my Fantom XR saying to myself, or I could just connect one midi cable, scroll though THOUSANDS of sounds, preview them on the fly, and be all set up and ready with a set of sounds…. in less than 5 minutes.

I could go on with this part, I won’t

Hey here’s one.. Producers, beatmakers, and users… You know how sometimes you’ll sample a ton of stuff and then want to spread it out across pads afterwards?

Well on the 4000 you could do this and as you went from pad to pad, the mpc would remember what sample you placed on the previous pad and when you went to the next pad it would place whatever sample came next in alphabetical order on that next pad. So if you had Sample 001 Sample 002 and Sample 003, and you place Sample 001 on Pad #1, and you went to Pad #2 and turned the scroll wheel, Sample 002 would assign to Pad #2, and so on.

Not on the “successor”…

Every time you go to assign a sample to a pad, it starts at whatever is the first sample in RAM.

But hey… if you have a few hundred samples in your ram already, that means that for every pad you go to assign a sample to, you are scrolling though a few hundred sounds just to get to the one you just sampled… and if you have say, 32 samples to spread across some pads.. Well hey.. you see where this is going.. see the asterisks above. It’s not tragic, just another thing that could be easily remedied with a little forward thinking and better programming.

So you know.. all that sampling I was just talking about doing?

I was doing all this on the 5k for one reason

IMPORTING FROM PREVIOUS MPCs IS BROKEN

BROKEN

BROKEN

BADLY.

Dude.. are you serious?

In 2008?

Apple computers are running Windows and OSX simultaneously through products like VMWare and Parallels..

Logic is opening Pro Tools Sessions via OMF and Digi Translator..

Mac Drive lets you use HFS formatted drives on Windows Computers..

I have Super Nintendo games on my iPhone.

Hell, there is Palm OS emulation on Windows Mobile.

Yet I can’t get my piece of Akai gear to import programs made from previous versions of Akai gear.. from the same product line?

Let me clarify:

I was able to import AKP’s made on the 4000, but as soon as I attempted to edit anything I imported (i.e. maybe just tune a 808 a bit to match something I’m working on) the pad would stop playing the sample, and would sporadically come back if i went into the sample edit page and exited it. This was the only fix I could come up with.

If I attempted to add a sound to this imported AKP program, welll… see above.

Next move was to try import a .PGM program.

Dead.. nothing.. nada.. zip

It did nothing.

Next step: Import a .PGM created in the 3rd party MPC Program Maker software

Even deader-er

I went online and did some research and came across a forum (which I can’t find now) where a user called Akai support in reference to this and after some back and forth, he was told that the software would have to be rewritten and was indeed broken.

That’s all well and good, but DON’T ADVERTISE AND INCLUDE IN YOUR DOCUMENTATION THAT IT DOES SOMETHING IT DOES NOT ACTUALLY DO!

Tell us it’s been thought about, in the process of preparation, plotted, pending, planned, post-release in a soon to be released pivotal upgrade, which we should have been previously privy to before the pondered purchase was completed…

(Carlin-ites holla at me)

And I would have been fine with that.

And oh yeah.. for some reason, this folder that I copied over a bunch of 4k programs and samples to…

Whenever I try to access this folder, I literally have to wait like 3 minutes while the unit freezes and gets itself together to prepare itself to let you scroll through files (with the weirdo wheel, see above) that it can’t properly process anyway.

I don’t know if this is a drive format issue, a drive content issue, or bad OS programming that makes your unit sh*t itself, wipe, get a diaper, and pop 2 Immodium AD’s and then say “Okay I’ll give it a shot”

Oh mind you.. this all occurred while I was trying to come up with something for.. well an album that hasn’t been announced yet, but it’s pretty major. Folks who know my writing patterns know what that means.

There were a few other major issues I had, but It’s now 9:40 am and I need to get to mastering.

But oh yeah… when it was all said and done and I actually made beat I thought was halfway decent, and wanted to save the NEW programs I made from scratch after I gave up on importing and starting fresh. I went to the hard drive.. made a new folder, selected “Save Entire Memory”

My screen said:

“Cannot Find Device… Ok??”

With an Okay button at the bottom.. that never responded when I pressed the corresponding soft key.

To the less than technically inclined…

IT FORGOT WHERE MY HARD DRIVE WAS AND NO MATTER WHAT I DID IT WAS FROZEN.

IT FREEZES WHEN YOU TRY TO SAVE ENTIRE MEMORY??

WHAT IN THE …

WHATS THE POINT OF SAVING THEN???

I said ok.. maybe it needs to pop a few more Immodiums.. So i left it on overnight.

Came in the next day.. Said screen was still in the same state I left it.

Akai FTL

FAIL.

I paid money for this thing..

I know people are probably like, “You don’t get these things for free??”

Te be honest, someone representing Akai recently did reach out in regards to doing some kind of deal in reference to the 5k, and I was considering doing it, but just hadn’t gotten around to entertaining it yet. I got the urge to mess with something new and went out and made an impulse buy of the 5000 and an MPK 49 controller because the synth thing got me a little excited.

I may have generated a few million dollars in my career, and the cash spent does not hurt me financially, but that doesn’t mean I have money to burn at the expense of bad engineering and a tad of false advertising.

I feel just as burnt as the dude who busts his back at a 9-5 just to save up enough money to go out and buy a piece of gear to pursue his dream, only to not have it work as it should.

There are some good things about this machine, and I will get into them at some point, but I really have to get to work.

And with all that said.. The MPK 49 is definitely the best standalone MIDI controller i have EVER used. I recommend it to anyone and everyone on the market for a controller. Hell, even if you aren’t on the market for one, buy one anyway. But in all honesty I also recommend that you don’t buy the MPC 5000 until they release the next operating system, IF IT address some of these issues, along with others I have read about.

There are other inconsistencies and issues I have, but I don’t want to get more worked up thinking about them again.. and I think anyone reading gets my point

Please don’t do this again Akai. As a fan, avid user, supporter, and friend. Don’t let the decline in hardware sales (or whatever is contributing to this) allow this to continue.. Quantity over Quality, Numbers over Blunders, Sales over Sincerity and Profits over Professionalism, it makes for Bad Business, Disgruntled Devotees, and Cold Hearted Customers who will Cease, Desist and Discontinue their Dilligent support of a Diluted brand. (Carlinites Unite!)

I don’t know man.. I know I sound crazy, but this really bothers me.

I wasn’t looking to have my socks blown off, just basic functionality.

I wonder who actually beta tests these things?

People in lab coats?

Do they seed them to a secret coaltion of producers?

This makes me angry.. and sad at the same time.

It’s now 10:30. I’m missing mastering.

I have to go.

Wait.. here’s a quote from their ads or propaganda or whatever..

“MPC5000′s virtual analog synth eliminates the need for users to deal with connecting external analog synth modules or working with buggy software synthesizers.”

A gun in your face and that’s the best you could come up with?

Buggy software synthesizers??

I don’t even want to do the comparison between working on something like this and say a Logic.

Because in all honesty I “feel better” working on an MP than a DAW.

But you can’t really sit there and try to go feature for feature ad throw cheap shots like that and expect people to not see through it. They do. Read the Forums.

If you can’t beat them.. join them. Make a virtual MP..

Oh wait.. someone already did.

Make your own.

I’ll help you design it.

Really.

Hell I’ll help you make the 5001 or something. Put on a white lab coat and everything.

I can’t tell you how to run your business, and in all honesty I know nothing about it.

But as an end user, I know what you are doing wrong in our eyes. And ultimately, if we are not happy…

ok I’m ranting for no reason now.

I really would though.

Bye











seiously god that is all so **** lmao honest to god

Aren't you the same guy that opened a thread just saying 'I LOVE MY MPC 5000' ?
Well, look at you now after trying to use the MPC just a little beyond the 'noob' phase ...

Embarassing thread!

The 5K is great despite the fact that it had major showstopper bugs when it was relased and is still constantly dissed by people who don't know that it is way beyond of what it was like when Just Blaze "reviewed" it. With OS 2.0 it just works great for me.

Beatman, if you want to load more than 1 synth patch at a time, then why don't you load the whole parent folder like "Classic Basses" etc..? That way you could skip through up to 128 presets one after the other on a sequence's track and choose the ones that are cool.
Also it's not true that you can't preview a synth patch from the internal ROM. You can, just like you can with a sample.

Which MPC is compatible with all the other MPCs?
Are you seriously comparing the MPC line with virtualization technology? Why can't I load the preset of a Casio keyboard as a patch of a real life Moog Modular?

Get real man..

Aren't you the same guy that opened a thread just saying 'I LOVE MY MPC 5000' ?
Well, look at you now after trying to use the MPC just a little beyond the 'noob' phase ..



Sieko look what i put underneath , that load of crap made me laugh as my mpc has none of them problems he is talking about lol