mordecai1989 wrote:sounds right lol.. but i think i get what your saying i need keep my drums at good high level
sense im doing hiphop drums are most importan. so i should have thoughs at good high level
than my bass little more low guitar low piano low etc.
Dat way i hear the drums but also my other instruments but not competing with the drums or vocals..
Am i right?
First, I pull faders down on all tracks. The next thing I do is mix the drums. I get the kick, snare, hat, ride, bongo so that they are mixed well. Like you said, the drums are the most important part of the track, so I get them sitting right. No FX, no compression, no EQ (yet). Just levels.
Next I will pull up the bassline and get it to sit right level wise. Again, no compression, FX or EQ (yet).
Then I will pull up the samples by sound or frequency I guess would be better to say, and get it to sit right in the mix. Again, no compression, FX or EQ (yet).
What this does is set all your levels so that all tracks sit well together. Then you will start to notice what sounds are competing in the same frequency range(s). Time to pull out some EQ. I use a hi pass filter on just about everything to cut off lows from everything, including bass and kick. Pan some things left and right, adjust levels because when you pan left and right, that track will get louder.
Now I pull up the main vocals, hi pass filter, and adjust levels so that they sit where I want them to sit.
Then adlibs or double ups. I usually hi pass them a little more and tuck them underneath so that they are "felt", and not really heard. But that's more of a taste thing for me. Then if the whoever is on the mic doesn't have a good mic technique I might have to run them through a compressor (just enough to smooth out the track) and EQ to taste.
I don't really compress my tracks unless I am using it as an effect. I definitely don't compress the overall song either. I leave that to mastering as well. If you want, send me the track and I will give you some feedback.
I hope this helps.
Peace