elevated wrote:ghosty wrote: famous G-unit style "lock" clap.
ghosty wrote:elevated wrote:ghosty wrote: famous G-unit style "lock" clap.
Sorry , Within our coveted circle of WORKING producers and engineers... If you cant spot trademark sounds within the industry.. then you might want to spend some time doing something else.
[/quote]ghosty wrote:Let's check out some beats homie,,,, I'm not trying to call u out,, but,,,,,
,,,**** it I'm calling u out!
crothers wrote:^ G-Unit is still working? learn something new every day
ghosty wrote:Bruh.. shut the fuk up. Your wack. Your a buster. Simple simon carbon copy.. i'll put you in a little luis suitcase. You tried to front and you got no back. I treat every beat like a dad that just met his son. Stop frontin n!gga. Kanye is raw.. gunit is still working. Now quit hatin. Get ur money up. I aint gotta prove shit to you. You listen to my music and dont even know it ****. GEt ON MY LEVEL
cyrus wrote:well, the technique i almost always use isnt neccesarily "live" like completely sounding real or whatever. but it adds bounce.
its real simple. you can definately do more, but this is the easiest way to add bounce with your hihats with very very little work. here it goes:
alternate hihat velocities on a 1/16th hihat pattern. i.e. X x X x X etc.
here is how i do it:
i will use note repeat to create 1/16th pattern on track A. then i copy that to track B. then i go to grid edit on track A and delete all the even hits. then i go into track B and delete all the odd hits. now if you play both tracks together it sounds like a regular 1/16th note repeat pattern. now lower the velocity of the entire track B so track B velocity is like half of track A i.e. track A-110% & track B-30% (usually i mess with the exact values until it sounds nice). so there is a relationship between track A and B of LOUD and QUIET
the idea is to get a LOUD QUIET LOUD QUIET pattern going to give the track bounce. louder hits on the downbeat. accenting the beat like that gives it a push pull bounce feeling, even on the most simple pattern
ya know! sorry for **** explanation, probably easier to show in video.
Once you get that down, you can instead of using note repeat, freestyle it using velocity in 16 levels. alternating the velocities gives push pull feeling. you dont just have to have exact values, you can add more variation, or you can even use differant hihat tones. etc.
now i dont even use note repeat. i just tap out without quantize so that i can make it groove how i like, then i add to it by doing the copy thing and deleteing alternating hits and adjust the velocity of each track. sometimes ill just put on 16 levels velocity and just do the alternating all in one track
you can accomplish similar results by using shakers too. lay down straight 1/16th hihat pattern with normal hihat. then go in with a shaker but dont do same pattern, do it 1/8th on all the downbeats. experiment!
