Discuss the various methods you use in music production, from compressor settings to equipment type.
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By timestrike Wed Feb 02, 2011 3:50 am
I know that many peoples post topic about mixing in PT but I check older post and could not find any answers,So this is my question.When I track a beat in PT from my mpc I check my level for each track nothing clip everything is fine then I had a master fader track and each time this **** track (master fader) clip I have to put it down to -8 or somethng in this range but if I keep my mix this way it's not loud enough.So does somebody have a trick or something do I have to put a limter or to compress th master fader track?Any help would be great!
Thank all.
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By Metaphonetic Wed Feb 02, 2011 8:38 am
do you mean after you mix or before you mix the master is clipping...

is it roughly the same level as the audio tracks when there are no plug ins on it?

do you have "use pre fader metering" turned on?
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By Shostakovich Wed Feb 02, 2011 11:46 am
timestrike wrote:I know that many peoples post topic about mixing in PT but I check older post and could not find any answers,So this is my question.When I track a beat in PT from my mpc I check my level for each track nothing clip everything is fine then I had a master fader track and each time this **** track (master fader) clip I have to put it down to -8 or somethng in this range but if I keep my mix this way it's not loud enough.So does somebody have a trick or something do I have to put a limter or to compress th master fader track?Any help would be great!
Thank all.



Mixing is a cumulative process.

Solution: track and mix individual channels at a lower level. if you are recording in 24-Bit, -18dBFS or thereabouts should do it.

Remember, you can overload the individual channels fine in a 32-Bit system during a mix. Just keep an eye on the mix buss. Really shouldn't be peaking over -6, -8dBFS before master.

If it still sounds quiet, you can add a compressor on the mix buss and squash those transients a bit and use the make up gain to boost the resulting level. That should get you another 3-4dB gain. Then you can add a brickwall limiter to squeeze another few dBs out of it.

Try not to peak over -0.3dBFS. Simple reason being that if your track ends up as an MP3, amongst other formats, the encoding doesn't handle transients very well.