By
arebee
Mon Mar 21, 2011 4:49 pm
i like to set the attack, slow'ish. the release a bit slower. the gain +3 / +6, and the threshold very low -24 / -32 , with a very high ratio 99/40:1.
with this u get the delayed squish u seem dto desire re: dilla, and the distance (lack of true punch) in these mixes, but yeah as the guy above said, the subtleties in the original sound can get lost, but also can give rise to a very appealing finish depending on the listener - its all a matter of taste......
to some it'll sound like u dont know what yer doing, to others it sounds avant-garde,futuristic and beautiful.
oh yeah also, an exaggerated warm eq (crystal highs, 30/40Hz lows, little or no harsh midrange 3khz @ - 6dB and a bit of quiet but long reverb on the source (before the compressor) will also add air that will swirl as it gets compressed.
8500's,2500's,1210's,1066's,1000's,RSD10's,BM9's,Z8's,606's,600's,G5's,4X4's,G4's,G3's,BS3X's,G2's,202's,RZ1's,SK1's,M1's