Sm0keydaBear wrote:Also, try using Mono samples to save yourelf even more space!
If you're sampling from a vinyl source, consider recording samples with your turntable set to 45RPM. With the 500, you can simply press Mode[Trim] and scroll over to Tune to drop the pitch down to match-up with the original--"a tuning of -05.00 should do it" (
http://www.mpc-tutor.com/tutorial/7/mpc ... ulation-1/).
(You can hit Mode[Program] and change the tune from there as well. For permanent changes like this, however, I prefer to go with Trim because I can save the sample, turn off the machine, load it back up -- and it will remember that it was last set to -05.00 in Trim. This way I can preview the sample sounding like 33RPM rather than all chipmunk-ey. Also, I don't have to tune down from Program
every time I load the sample up or save any random programs that I don't need. The key is saving space, right?)
Also, because you're just tuning down - it will sound normal (like you sampled at 33RPM) but only take up the space of something sampled at 45RPM.
This method, coupled with sampling in Mono, can allow you to make the most of the space you have available to you.
NOTE: I've read that tuning records down from 45RPM in this way can even color the sound of your samples and help bring out artifacts. This method of sampling was frequented by users of the E-mu SP1200 because of limited sampling time--"roughly 10 seconds" (
http://en.wikipedia.org/wiki/E-mu_SP-1200). I have also read claims that sampling in this way is part of unlocking that true SP sound.