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By mindcontrol Sun Jan 21, 2007 5:39 am
im gonna type before i get the results lol.

all of them sounded pretty much exactly like the original except sample3 in the beginning, which wasnt bad anyway, just slightly different.

so yea :D
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By kneebone77 Thu May 15, 2008 11:50 pm
Damn I know this tread is mad old but I had to say something...

Number 3 (S1100) was the only I noticed any difference with and the difference was slight.
But right now I'm on my internet PC with wack speakers, I'll try this again later on the studio monitors.
BTW, I once owed a MPC 1000 and a S-6000. I never compared them in this way. I recall liking them both and would characterize there sound as just being the classic "puncy akai" sound.

Thanks again tank for the comparison.
By dtaa pla muk Fri May 16, 2008 1:52 pm
nice to link this to people who reference the somehow "magic" or "terrible" sound of some of these samplers

however if we really wanted a complete, conclusive test you'd do the same thing but include a test of the pitching algorithms

1- sample from sampler played normal
2- sample from sampler played at =-3, 6, 9, and 12 semitones
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By kneebone77 Fri May 16, 2008 4:10 pm
Nym wrote:which is it that corresponds to the 3000? the s6000, right?


the mpc 3000 and the s-3000 are their own technology, before the mpc 2000/2000xl, s-2000, 3000xl stuff but after the s-1000 series stuff.
the s-6000 technology comes after all of this and that's probably why no one can tell the difference between the s-6000 & mpc 1000/2500.

true what you said about the pitching algorithms, when I owned an s-6000 i noticed you could pitch samples waaaaaaaaay
down without any noticeable aliasing. I felt like it sounded good, sometimes too good. this sampler will never be known for "grit".
By dtaa pla muk Fri May 16, 2008 6:48 pm
ahh, ok, so s-3000 and mpc3000 correspond. too bad s-3000 wasn't in the mix there.

i don't like to pitch anything down further than 5-7 semitones in the MPC1000, when you can really start hearing the grime.

up i feel ok going +12, which is really the highest i will go
By PN7 Tue May 31, 2011 11:18 pm
tank wrote:I did a new test with this time with four samplers and accurate results. The sampelrs were S1100, mpc2500, mpc2000xl, mpc1000. This test is about the AD and DA capability of the samplers. The test process was made in two steps:

1st)
Source: Commodores record, Technics SL 1210, Pro-Ject phono preamp
Record: AD Sampler
2dn)
Playback: DA Sampler
Record: AD Digital recorder

Facts:
1) Source was playedback at the same amplitude level in all tests. Source recording (AD Sampler) was made at -2db peak in all tests (there is a small error margin).
2) Playback at full velocity. Digital recorder at the same record gain level in all tests. Sample playback main out level was adjusted to reach -2db peak in the digital recorder, in all tests (with a small error margin).

There are four samples in the pack (from 1 to 4), each corresponds to each sampler, and the original sample to compare with. The original sample was a Source to AD Digital Recorder direct record.

Download:
http://www.zshare.net/download/akaitest01-zip.html

Before revealing the results (wich sampler is wich sample) I'll wait for somebody to comment on the sounds. Any preferences?

UPDATE:
I've revealed the results in a post below. And added Akai s6000 to the tests. You can download the pack with s6000 here:
http://www.zshare.net/download/akai_test03-zip-7b3.html
(attention: this file has the samplers name assigned to the files, so if you want to ear before knowing wich is wich use the other sample pack)


Hi Tank,

I appreciate your idea to test Akai samplers!
May you please added new link to download the sound test samples.The old link is not working. Thank you.
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By konc3pt Wed Jun 01, 2011 1:13 pm
PN7 wrote:Hi Tank,

I appreciate your idea to test Akai samplers!
May you please added new link to download the sound test samples.The old link is not working. Thank you.



this thread is 4 and 1/2 years old you doofus