For discussion about setting up your studio and advice on the gear and equipment within it.
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By Dan L Sat Jun 18, 2011 5:36 am
nogginj wrote:The people that actually know how to use these things often will just give them away.

I'm looking for an sp-12 owner like that. :mrgreen:
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By le rat Sat Jun 18, 2011 11:19 pm
And thats the only difference to the 1-8 outputs.


Other difference is the influence of the L/R knob at the front.
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By peterpiper Sun Jun 19, 2011 12:57 am
le rat wrote:
And thats the only difference to the 1-8 outputs.


Other difference is the influence of the L/R knob at the front.



Got me :)

peace
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By le rat Sun Jun 19, 2011 1:44 am
haha it even happens to the best :wink:

Long time I didn't use my s950, still trying to repair it by myself. As a RTFM lover, I wish the japanese manual had been translated. It has a tutorial part and some interesting figures. It's better than the english version and the french version.

NavNek> When I started beatmaking I was in the same case struggling with a 1K and a s950. A tip I can give you at the moment is that you can monitor the sound coming from the s950 mix output into the 1K rec in using the input thru function.
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By peterpiper Sun Jun 19, 2011 1:40 pm
le rat wrote:haha it even happens to the best :wink:

Long time I didn't use my s950, still trying to repair it by myself. As a RTFM lover, I wish the japanese manual had been translated. It has a tutorial part and some interesting figures. It's better than the english version and the french version.

NavNek> When I started beatmaking I was in the same case struggling with a 1K and a s950. A tip I can give you at the moment is that you can monitor the sound coming from the s950 mix output into the 1K rec in using the input thru function.


I see no reason for doing this cause the signal will just run thru the preamp of the 950 and then direct to the output. There is no A/D converter included in this signalpath.

(to be honest this is a part of the 900 sch0ematics but I dont think that there is a difference in signal flow to the 950)

Image


BTW whats wrong with your 950? floppy drive, backlight or something not so common.


peace
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By le rat Sun Jun 19, 2011 2:26 pm
Thanks for the diagram.

You're right just passing the signal thru the s950 doesn't really make sense.

My answer was maybe too short and unclear. When i was in the same cas as the OP without a mixer, I was using the MPC input thru function to listen to both the MPC and the s950 at the same time with the headphones or the MPC outs.

The problems with my unit are backlight has gone from blue to green with contrast issues, L/R knob at the front half working and malfunctions with some outs at the back.
I skimmed the s900 service manual once but never got deep into. I did the rec-amp-offset and another adjustement which i forgot the name and I saw I had values out of the tolerance range. Anyway I think I may have a problem in the front panel. I'll try to reopen it when I'll have more time to spend on it.

If you have any insight or a good advice please don't hesitate.

PEace
By jimmie Sun Jun 26, 2011 7:11 am
How did I miss this thread :lol:

0. Read the Akai S950 manual and watch http://www.youtube.com/watch?v=8LKJOnSCRc4.
1. Sequence your S950 with your mpc1000.
2. Mpc midi out --> S950 midi In.
3. On the front of the S950 turn up the Left/Right Output knob/s to Max.
4. In your mpc1000 turn on 'input thru'.
5. S950 Mono Mix Out into mpc1000 Record In Left (or right).
6. Sample stuff into your S950, make some programs, learn, mess, fiddle, tweak, play, play some more and keep referring back to the manual when you get lost.
7. All it takes is a day or two of rtfm and playing with it. It's easy to operate once you've got it down.
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By gertie Sun Jun 26, 2011 7:17 am
man, i threw my s950 in the bin......it had faulty memory...everytime i booted it the sounds I have sampled from the time before went missing and all i had was some cruddy tone...

piece of shit the s950.....keep well clear of that
Byanon59df43 Sun Feb 26, 2012 11:40 am
Hi everyone. Ive recently started using my s950 with my mpc1000 (using JJOS .3.08). It took me ages to work this all out, so I hope this makes it easier for some of you out there. Here’s how it’s done:
The MPC Settings
Firstly, connect from ‘midi-out A’ of the mpc to the ‘midi-in’ of the s950.
In the main screen, change ‘type’ in the bottom left corner from drum to midi. Also, set the midi to 1A.
In the mpc, make a new programme, (I called this ‘keygroups’). Still on the main screen, press the window key while your ‘keygroups’ programme is highlighted, and go into the note tab. For some reason, the defaults were not in chromatic order, so you need to go through and set them so. Set all these notes in sequence from midi note 35 C0 assigned to pad A1; midi note 36 B1 to pad A2 etc. You may as well set this up for 64 notes across all 4 pad banks from 35 CO to 98 D6 on pad D16.
Once you’ve done this, save the programme, and you never need to do it again – just load it up each time you want to use the mpc with the s950.
The s950 settings
Someone kindly posted up the original VHS ripped user manual for the s900 on youtube. The section that deals with this part is part 4. It might make the following instructions easier to follow. Here is the link: http://www.youtube.com/watch?v=5pVWT6u6 ... plpp_video
Again, this is a bit time consuming, but once you’ve made a programme in the s950, you can save the programme and load it up every time you use the machine.
Record your sample(s), trim them down etc.
Then go to the ‘edit programme’ function, and scroll down to page 5. This is the page that allows you to assign keygroups.
Scroll over to the ‘soft sample’ area, and dial in your sample. In the bottom left leave it at ‘KG1’. scroll over to ‘*low key’ and leave it at B0 35. Then scroll over to ‘*Hi key’ and set this to B0 35.
You now have your first sample assigned to B0 35, which (if you set up the mpc as directed above), should be pad A1 on your mpc.
Note: if you sample a bass note for example, you may want to map this tone across a whole octave. In this case, you would set the low key as (for example) B0 35 and the high key as 46 A#1.
However, if you’re sampling a drum kit of a kick, hat and snare you would set each sample to a keygroup range of just 1. So you’d assign the kick to ‘low key’ B0 35 and ‘Hi key’ B0 35. Then the hat to ‘low key’ C1 36 and ‘Hi key’ C1 36. Finally the snare to ‘low key’ C#1 37 and ‘Hi key’ C#1 37. Then you’ll have kick, hat and snare assigned to your MPC pads A1, A2 and A3 respectively.
It’s worth setting up a template for each keygroup from 1 to 64 in this manner to correspond with the MPC settings. Then save this programme to disc, and you can load it up every time.
You should now be able to sequence everything from the s950, through the mpc. If you want to use samples in the mpc, just use a track assigned to drum rather than midi, and you can have the best of both!
I hope this helps!
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By le rat Sun Feb 26, 2012 12:48 pm
In the mpc, make a new programme, (I called this ‘keygroups’). Still on the main screen, press the window key while your ‘keygroups’ programme is highlighted, and go into the note tab. For some reason, the defaults were not in chromatic order, so you need to go through and set them so. Set all these notes in sequence from midi note 35 C0 assigned to pad A1; midi note 36 B1 to pad A2 etc. You may as well set this up for 64 notes across all 4 pad banks from 35 CO to 98 D6 on pad D16.
Once you’ve done this, save the programme, and you never need to do it again – just load it up each time you want to use the mpc with the s950.


For people who are not using the first versions of JJ OS and are using one of the latest versions (i.e. JJos2xl or JJos-xl) the default order is 36-99. So you can skip this quoted step.

If you plan to upgrade one day you'd better do a 36-99 default program for that same reason.
PEAce