
By JDSY
Wed Sep 07, 2011 7:01 am
so this is from the manual:
Sound Generator
Sampling rate: 44.1kHz
Memory capacity: 16MB standard (11.5MB for sound memory), expandable to 128MB
Recording time: 136sec. (16MB, MONO)
24m28sec. (128MB, MONO)
Memory expansion slot: 1 x for optional EXM128
Data format: 16-bit linear
Polyphony: up to 32 (dependent on processing)
Dynamic filtering: 2-pole lowpass filter per voice
Preset sound memory: 5MB
Number of programs: 24
So the 500 can hold 24 programs in memory at a time. But, I am wondering though how does it compare to the XL, as far as the DRUM section. Because on the XL you can have 4 programs loaded via the 4 DRUM sections to make a song. Good for mixing and matching PGMs to make a new song.
I guess if the 500 is only capable of having one program, that's still 48 samples which is quite a bit. With the XL you can have 256 samples in memory at a time (limited to the 32mb) and you are most likely gonna run out of polyphony before that becomes an issue. I am curious how many samples can be in the 500's memory at a time.
other than that I guess one program per song, but up to 24 programs loaded is pretty good, good for chaining up sequences into songs and then chaining songs together each with different pgms. the XL as far as i know can only have 4 programs at a time... which wieghs the 500 against the XL positively, also taking into consideration ram.
I'm trying to imagine the 500 as a live tool. Compressor sounds awesome to have. my XL has never been taken out for a live show, even with the 8 outs as a plus I think its cumbersome for the type of live electronic stuff i want to do. A buddy of mine who might buy it will actually use it to play the pads ala hip hop live so I feel like selling it to him and getting a 500 is a good plan. I am envisioning using the 500, korg esx-1 and a qy100 and mixer.
i really appreciate the feed back from folks on my earlier questions/posts. it's great to get forum feedback.
Joey
Sound Generator
Sampling rate: 44.1kHz
Memory capacity: 16MB standard (11.5MB for sound memory), expandable to 128MB
Recording time: 136sec. (16MB, MONO)
24m28sec. (128MB, MONO)
Memory expansion slot: 1 x for optional EXM128
Data format: 16-bit linear
Polyphony: up to 32 (dependent on processing)
Dynamic filtering: 2-pole lowpass filter per voice
Preset sound memory: 5MB
Number of programs: 24
So the 500 can hold 24 programs in memory at a time. But, I am wondering though how does it compare to the XL, as far as the DRUM section. Because on the XL you can have 4 programs loaded via the 4 DRUM sections to make a song. Good for mixing and matching PGMs to make a new song.
I guess if the 500 is only capable of having one program, that's still 48 samples which is quite a bit. With the XL you can have 256 samples in memory at a time (limited to the 32mb) and you are most likely gonna run out of polyphony before that becomes an issue. I am curious how many samples can be in the 500's memory at a time.
other than that I guess one program per song, but up to 24 programs loaded is pretty good, good for chaining up sequences into songs and then chaining songs together each with different pgms. the XL as far as i know can only have 4 programs at a time... which wieghs the 500 against the XL positively, also taking into consideration ram.
I'm trying to imagine the 500 as a live tool. Compressor sounds awesome to have. my XL has never been taken out for a live show, even with the 8 outs as a plus I think its cumbersome for the type of live electronic stuff i want to do. A buddy of mine who might buy it will actually use it to play the pads ala hip hop live so I feel like selling it to him and getting a 500 is a good plan. I am envisioning using the 500, korg esx-1 and a qy100 and mixer.
i really appreciate the feed back from folks on my earlier questions/posts. it's great to get forum feedback.
Joey







