By Phra*DOC
Thu Sep 06, 2012 11:06 am
DISCLAIMER: DON'T TELL ME TO READ OTHER TOPICS!
I read ALL topics here and other forums about that stuff and I havent found enough precise infos, so please either answer, or skip this topic
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Ok, I'll try to be thoro and hope the answers will be, as well
I don't know what mpc to buy!
I'm buying an mpc but but I'm stick with some doubts. Here some guidelines on how it has to be:
-cheap: not over 400 euros (i live in europe)
-STANDALONE, absolutely: I just want to hook up my turntable, sample, work, sequence, and output my complete beat after my work (thru a soundcard to my computer, I guess).
Keep in mind I'd only produce hiphop, and I love eastcoast 90's sound (I'd buy an mpc60 or sp1200 but they're too costy).
I exclude a priori mpc500.
So the remaining are: mpc1000, mpc2000, mpc2000 xl.
But again for the price factor, I'd exclude XL.
I'm stuck between 1000 and (plane)2000. I have the possibility to get them for the same price, 400 euro (=500 usd.. those stuff here is a little more expensive than in U.S...).
Common sense would lead me to purchase mpc1000, cause it's newer, right?
But it's more complicated.
If I wanted perfection and quality in working, i'd use Pro Tools, Reason, and a midi controller. And, I'd feel like I'm producing Lady Gaga.
I want to buy an mpc cause I want the mpc feeling, the "mpc experience"; it's a matter of history and aesthetic of the gear. I don't need it for working, I want it for fun, and using a big oldschool gear like the big 2000 would be totally more fun.
But again, I don't want to spend that much money on something purely aesthetic. I want to be able to work on it as well.
So please tell me:
-Is the mpc2000 prone to problems, like the screen going blank, pads slipping off, floppy drive **** up? is there a way to prevent them to do so? Is it a pain in the ass to fix those?
-Is working on the mpc2000 that slow and boring and frustrating? (I don't need it to be immediate either, but hey, If it takes 10 minutes to load or edit a sample, I think I'll drop it).
-Is the mpc2000 a standalone gear, obviously w/out counting sampling sources?
-Would you overall suggesting me to buy it? Or you would go for the soul-less, plastic mpc1000?
------
I like to open up my possibilities so I thought also a different setup. I can find s950 and similar stuff (12-bit akai s-series samplers) for cheap. Then again I ask:
-Is a workstation made with controller/sequencer/s950 easy to set up and use, or it's pro stuff I shouldnt begin with?
-And in case, what controller/sequencer would you suggest? Is there something that would do both? I've thought of an mpc500 (cheap as well: I can get mpc500 + s950 for again 400 euro circa). Keep in mind that since here i'd have the legendary 950, controller and sequencer could be cheap and not brilliant stuff
Thanks for your attention. Anyway, If you have other suggestions I'm open to that! Just keep in mind that I look for
-oldschool flava
-cheapest stuff
-funcionality
I know those imply limitations but they dont matter, as soon as I'm able to produce something without losing hours waiting for it to work. Even if i have to use floppies, have max mono sampling time of 5s ecc... I always felt like limitations boost my creativity
it just have to work properly.
Thank you again guys hope I'll be able to help me out! peace!
I read ALL topics here and other forums about that stuff and I havent found enough precise infos, so please either answer, or skip this topic
----------------------
Ok, I'll try to be thoro and hope the answers will be, as well
I don't know what mpc to buy!
I'm buying an mpc but but I'm stick with some doubts. Here some guidelines on how it has to be:
-cheap: not over 400 euros (i live in europe)
-STANDALONE, absolutely: I just want to hook up my turntable, sample, work, sequence, and output my complete beat after my work (thru a soundcard to my computer, I guess).
Keep in mind I'd only produce hiphop, and I love eastcoast 90's sound (I'd buy an mpc60 or sp1200 but they're too costy).
I exclude a priori mpc500.
So the remaining are: mpc1000, mpc2000, mpc2000 xl.
But again for the price factor, I'd exclude XL.
I'm stuck between 1000 and (plane)2000. I have the possibility to get them for the same price, 400 euro (=500 usd.. those stuff here is a little more expensive than in U.S...).
Common sense would lead me to purchase mpc1000, cause it's newer, right?
But it's more complicated.
If I wanted perfection and quality in working, i'd use Pro Tools, Reason, and a midi controller. And, I'd feel like I'm producing Lady Gaga.
I want to buy an mpc cause I want the mpc feeling, the "mpc experience"; it's a matter of history and aesthetic of the gear. I don't need it for working, I want it for fun, and using a big oldschool gear like the big 2000 would be totally more fun.
But again, I don't want to spend that much money on something purely aesthetic. I want to be able to work on it as well.
So please tell me:
-Is the mpc2000 prone to problems, like the screen going blank, pads slipping off, floppy drive **** up? is there a way to prevent them to do so? Is it a pain in the ass to fix those?
-Is working on the mpc2000 that slow and boring and frustrating? (I don't need it to be immediate either, but hey, If it takes 10 minutes to load or edit a sample, I think I'll drop it).
-Is the mpc2000 a standalone gear, obviously w/out counting sampling sources?
-Would you overall suggesting me to buy it? Or you would go for the soul-less, plastic mpc1000?
------
I like to open up my possibilities so I thought also a different setup. I can find s950 and similar stuff (12-bit akai s-series samplers) for cheap. Then again I ask:
-Is a workstation made with controller/sequencer/s950 easy to set up and use, or it's pro stuff I shouldnt begin with?
-And in case, what controller/sequencer would you suggest? Is there something that would do both? I've thought of an mpc500 (cheap as well: I can get mpc500 + s950 for again 400 euro circa). Keep in mind that since here i'd have the legendary 950, controller and sequencer could be cheap and not brilliant stuff
Thanks for your attention. Anyway, If you have other suggestions I'm open to that! Just keep in mind that I look for
-oldschool flava
-cheapest stuff
-funcionality
I know those imply limitations but they dont matter, as soon as I'm able to produce something without losing hours waiting for it to work. Even if i have to use floppies, have max mono sampling time of 5s ecc... I always felt like limitations boost my creativity
Thank you again guys hope I'll be able to help me out! peace!
Would Roger Linn punch me in the penis?











