By m56p87
Wed Sep 26, 2012 5:04 pm
So 95% of tracks I make are constructed from completely random bits of sounds; radio snippets, random sounds from my library, random samples etc.. I Usually load in 12-16 sounds and see what's there. half the time I end up with at least 2 kicks and I was wondering if you guys had any techniques on top of my own for making multiple kicks sit well in the mix together.
My go to basic technique until I master the tracks is usually to set a mute group so I know I'll never have both completely overlapping but I'm looking for some more ideas so I'm not just using the same played technique every single time. Most of my other ideas just involve adding as much contrast between the two so they aren't occupying the same sonic space. Here are a few other ideas I have used/had.
-tuning one of the kicks to more low/mid 808 conga range rather than a kick. So one kick is tuned at 0 and the other is +30/60.
-plain old' heavy handed EQing, making one kick a loud pop with little low end kind of of like higher tuned Linndrum Kick, and the other with all high end cut off and resembling a low "boomy" 808 kick.
-adjusting the attack on one of the kicks to turn it in more of a bassline.
I'm also looking for tips on the construction of a song with multiple kicks not just tech tricks,like what I have mentioned above. I know i havent touched on compression because im on an analog setup with no compressor and looking todo this in the box with my MPC Classic/Mixer. In other words if i have to load the sample up on the computer to change it the whole point is moot. Just Looking to add more weapons to arsenal! Thanks.
My go to basic technique until I master the tracks is usually to set a mute group so I know I'll never have both completely overlapping but I'm looking for some more ideas so I'm not just using the same played technique every single time. Most of my other ideas just involve adding as much contrast between the two so they aren't occupying the same sonic space. Here are a few other ideas I have used/had.
-tuning one of the kicks to more low/mid 808 conga range rather than a kick. So one kick is tuned at 0 and the other is +30/60.
-plain old' heavy handed EQing, making one kick a loud pop with little low end kind of of like higher tuned Linndrum Kick, and the other with all high end cut off and resembling a low "boomy" 808 kick.
-adjusting the attack on one of the kicks to turn it in more of a bassline.
I'm also looking for tips on the construction of a song with multiple kicks not just tech tricks,like what I have mentioned above. I know i havent touched on compression because im on an analog setup with no compressor and looking todo this in the box with my MPC Classic/Mixer. In other words if i have to load the sample up on the computer to change it the whole point is moot. Just Looking to add more weapons to arsenal! Thanks.





