
By golfdogz
Wed Sep 26, 2012 11:34 pm
can anyone share any good tips for dealing with the small silent gaps created by chopping loops into parts (but wanting to keep full length of chop for drum loop re-sequencing as opposed to drum 'hits' style), and re-sequencing at a different groove to the original
at the moment what im doing is using sound forge, with a batch script which is very efficient.
1 taking the chop sample and do a micro fade in and outs on each end to clean up clicks
2 duplicating sample and running a lond fade in on the copy so there is no attack and then run a gentle reverb on it so it extends just the tail portion
3 mix the 2 samples back together as MPC pad layers or simult pad, and mixing the reverb tail in with volume and ADSR
this works pretty well, but wondering how others do it..
specifically in this context im workin on pitched up 170 drums, basically jungle so im lookin to keep the drums rolling..
at the moment what im doing is using sound forge, with a batch script which is very efficient.
1 taking the chop sample and do a micro fade in and outs on each end to clean up clicks
2 duplicating sample and running a lond fade in on the copy so there is no attack and then run a gentle reverb on it so it extends just the tail portion
3 mix the 2 samples back together as MPC pad layers or simult pad, and mixing the reverb tail in with volume and ADSR
this works pretty well, but wondering how others do it..
specifically in this context im workin on pitched up 170 drums, basically jungle so im lookin to keep the drums rolling..
mpc 2500 jjos XL



