Discuss the various methods you use in music production, from compressor settings to equipment type.
By m56p87 Tue Oct 09, 2012 3:19 pm
Tha_Skywalker wrote:
n4l wrote:Is it possible to tweak plain ''empty'' noise out of vinyl to work as a reverb for snare?
I want that spacy reverb sound and it just can't be done with the MPC's own reverb effect.




Is it possible, maybe. My suggestion would be going to a room that has a lot reflections , play that "empty" noise through a pair of monitors and record it with a Mic.


That's a fuggin' dope idea, it's like the ghost snare + digital snare trick but for reverb. +10
Last edited by m56p87 on Tue Oct 09, 2012 5:31 pm, edited 1 time in total.
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By peterpiper Tue Oct 09, 2012 5:20 pm
^^Dont understand what aghost snare has to do with it.

But if a sound need reverb you can always use a real room, corridor or a cardboard box or whatever. Play any sound and create any reverb that you want. Record this with a microphone and use it however you want. For example cut away or fade in the attack so you only get the reverb tail. Or use a short noise impulse to get an impulseresponse from the room (thats a "fingerprint" of the room and you can render it into any audio by using IR reverb plugins. You're not fixed on a white noise impulse to get this fingerprint you can use the "special" noise of a vinyl (hiss and rumble) for this method too.
Goldbaby upped some impulse response from a MPC60 and although this wont give you a representation of 12bit or the special lofi sound it sounded nice IMO.


peace
By m56p87 Tue Oct 09, 2012 5:29 pm
My bad I should have typed out what I meant. I said ghost snare, but I meant the digital snare + ghost snare trick. Where you lay a speaker on top of a snare play a snare sample through the speaker in turn giving you a ghost hit from the real drum, record the results. Then you have a new snare with more harmonics and tail.