damien907 wrote:hahah olby is that dude for the sp stuff!
how long you been producing headphones? im by seattle too.
Thanks, I've kinda had alot of false start/stops, like you buy some gear/software, you're just getting used to it, and then s*it happens, and you're forced to sell what you had at the time, or you couldn't make heads or tails of what you had bought, and sold it like a dumbass. I haven't really made actual songs, but I am insterested in collaborating down the road a bit later, so yeah, maybe we should hang, make some beats, etc. I know I didn't really answer the question, but if a tree falls in the forest, and nobody hears it, why brag? But I have messed with some gear here and there in and about 95...?
I live out in SeaTac, but I've got to pick up a decent desk worstation from GC, a new computer/audio interface, studio monitors, and a synth, and I either want to do some trip hop/dub, or some acid house tracks when I'm ready. Most of my gear is in the pawn shop, but once I get it all out, then I'm gonna just want a table where all the beat boxes and effects are at my disposal. I just ordered a Roland MC-09 and Kork Kaosspad mini 1 this week, so even if the sampler is whack on the 09 (6 seconds of sampling time), once I pair it up to the 505, it shouldn't matter too much. My ESX can sequence the 09/505, and I should be able to work some magic with just a few pieces of equipment.
I've got a better job lined up, so I should be fine budget wise, and can invest in better equipment as I see fit....