
By IMAKEMADBEATS
Thu Feb 28, 2013 8:18 pm
bearhead wrote:Casio SK-1 vintage mode
IMAKEMADBEATS
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bearhead wrote:Casio SK-1 vintage mode

IMAKEMADBEATS wrote:bearhead wrote:Casio SK-1 vintage mode

IamEdGlass wrote:*Can someone explain to me the difference between audio tracks and samples? I keep hearing people say audio tracks but I not sure why we can't do that now?audio tracks are like audio tracks on a DAW. you can record audio phrases such as guitar riffs and lyrics in time with the the sequencer. however, on the MV, regardless of the initial BPM at which the audio is recorded, it automatically timestretches whenever you change the tempo.
*Is there anyway to pull up effects from the hardware? I can't find out how. I'm starting to get more familiar with the hardware and trying not to use the mouse as much.
DJ Hellfire wrote:Zooming and scrolling from the Q-Links instead of the awkward-on-the-wrist Shift+Cursor.
DJ Hellfire wrote:Zooming and scrolling from the Q-Links instead of the awkward-on-the-wrist Shift+Cursor.
Sample Edit:
1. Q4 turned right zooms in on sample
2. Q4 turned left zooms out on sample
3. Q8 turned right scrolls right on the sample
4. Q8 turned left scrolls left on sample
Sequencer:
1. Shift + Q4 turned right zooms in on piano roll
2. Shift + Q4 turned left zooms out on piano roll
3. Shift + Q8 turned right increases piano roll height
4. Shift + Q8 turned left decreases piano roll height


Fanu wrote:DJ Hellfire wrote:Zooming and scrolling from the Q-Links instead of the awkward-on-the-wrist Shift+Cursor.
I'd suggest using the start/end (bar) buttons for that.
On 2500 (at least with JJOS), zooming is done with those, and it's handy and PERFECT for zooming.
DJ Hellfire wrote:Fanu wrote:DJ Hellfire wrote:Zooming and scrolling from the Q-Links instead of the awkward-on-the-wrist Shift+Cursor.
I'd suggest using the start/end (bar) buttons for that.
On 2500 (at least with JJOS), zooming is done with those, and it's handy and PERFECT for zooming.
That's cool, but the idea is to not have to move either hand when chopping. Left hand stays at the Q Links, right hand on the pads! No moving to different areas of the machine taking your focus of your chopping or off the screen!


Fanu wrote:DJ Hellfire wrote:Zooming and scrolling from the Q-Links instead of the awkward-on-the-wrist Shift+Cursor.
I'd suggest using the start/end (bar) buttons for that.
On 2500 (at least with JJOS), zooming is done with those, and it's handy and PERFECT for zooming.

JAH wrote:Fanu wrote:DJ Hellfire wrote:Zooming and scrolling from the Q-Links instead of the awkward-on-the-wrist Shift+Cursor.
I'd suggest using the start/end (bar) buttons for that.
On 2500 (at least with JJOS), zooming is done with those, and it's handy and PERFECT for zooming.
I agree. Transport buttons are perfect for zooming as seen in the JJ OS. But also the Fine Edit Screen as seen in the MPC 1000, 2000, 2000XL, 2500, 5000, and JJOS is still the perfect way (the MPC way) to zoom in/out to make fine edits. You simply move the cursor over the Sample/Slice start or end parameter and press [Window]. Then the Fine Edit screen is displayed which shows both ends of the waveform. This is perfect for creating loops. The F keys are used for zooming in/out. I would like to see this implemented in the MPC Ren software as well.
This method has been good for over a decade. I have never seen one post in an internet forum indicating an MPC user disliking how an MPC edits in this manner. This is a case of not messing with perfection. This is the workflow for the MPC 1000, 2000, 2000XL, 2500, and 5000...in other words, the majority of MPC users are well-versed in this method.

DJ Hellfire wrote:11. Proper gain structure for mixing.
12. Gain meters and faders for submixes.
13. Gain meters for Program Mix.

