long answer:I replicated your scenario and found that I get the same result, that the freq I try to reduce in reality gets louder. I happen to know that whenever you talk about an audio signal you are essentially talking about a signal with
energies in different frequencies, i.e. if your synth has a LOT of bass and sounds a little crispy that means there is a lot of energy in the low-end and a little energy in the high-end. So what happens when you reduce a band of freqs with your EQ is that you are taking away energy from a part of the sound spectrum, but a result of that its adjacent freqs will receive a slight boost in their energies. This happens for reasons I'm not fully aware of, but I recall reading somewhere that as freqs share their energies in one signal it means that a reduction in one part gives more "room" for other freqs. That's the simplest way I can explain it
Now in your case you say that you set your Q-parameter around 90 at 400Hz. You might already know that a higher Q-value means a narrower band of reduction or gain around that freq, but 90 is a craaazy high value (most EQs don't go over a 24)

. With the q-value at 100 @ 400Hz means you are reducing the freqs between 398-402Hz... you follow? This means that its adjacent freqs are almost the same as the one you are trying to reduce. So unless you hit the exact freq of what you want to reduce, you might actually boost it.
First time I've experienced it so I can't say I'm totally sure, but this seems to be the logic answer.
short answer:Aint no thing tho! Just stick to something around Q 24 if you want to have a sharp band to work with, and it should be ok. It's just weird from Akai's part to add that feature, it's not so much a problem but definately overkill.
