JAH wrote:Hobbs wrote:But that is hardly limiting...just means all your samples have to.go in that program. Having 1 track vs 1 program are two totally different balls of wax.
One is an inconvenience and I wouldn't even go that far...the other is just downright crippling.
You are limiting yourself by the way you look at the product.
The Essentials is a plugin instrument similar to many others on the market. How many plugins out there do you get active 1 program/patch per instance? That is what the Essentials is. It is no more crippling than any other plugin that gives you only one instrument at a time.
While Essentials can be used in standalone modem it shines as a plugin. Do you use plugins on multiple tracks in your DAW? Are they the same plugin or different ones? How do you navigate all the different plugins? When Essentials is used in your DAW on multiple tracks, with a push of a button, you switch to a different Essentials instance:
Example - Turn on your MPC. Load up a few programs and insert them on different tracks. Record into Track 1. Now what do you do when you want to record into Track 2? You have to press +1 Track button or turn the data wheel.
With the Essentials software, you are doing the exact same thing above..except press the +1 Track button take you to a new instance. The Essentials Software is like taking the Tracks in a traditional MPC sequence and exploding them so they are separate entities.
It is only crippling when you are trying to box it in and work a specific way when it is designed with a different workflow in mind...but really pretty much the same.
That's fine...and I agree that is how it should be looked at..but when you stack it up against it's peers, it has some fatal flaws. Virtual outs being the biggest one. Look at the other programs that do what it does.
Battery
Geist/Guru
Poise
FL Studio's FPC
Phatmatik (which is discontinued)
Liveslice
All have virtual outs..and Poise, Battery and Guru/Geist all do 16-level pitch. Batterys effects are applied in a much more intuitive way as well. And every other example has kits/programs that can be loaded and already routed to the mixer by default once opened.
Again, not trying to have a piss fest but if you are going to make suggestions for this streamlined software being on equal footing with other samplers...you must go into features in detail.
The virtual outs are a very huge thing for DAW composers...what if you have 10 drum parts? Do you know how frustrating that will be scrolling through 10 channels of an identical GUI? It's also doubly important for me because not only do depend on my drum kits being routed once I open them, I also have my default template in my DAW setup to route a group of tracks to a drum buss. Which will always be another step to remember when manually routing each individual instrument channel.
And lastly, AKAI isn't really trying to give a workflow boon to DAW users with this incarnation, they are really trying to convert DAW users...lol. And that's fine, but they would probably be more successful offering a fully functional demo of the software that is unlocked for all controllers as opposed to trying to dupe them into a proprietary controller with a gimped proprietary software and hoping the virtual bag of heroin will get the unsuspecting user hooked..lol
At least a pusher will give you the bag of dope for free.
I'm suspecting AKAI is passing the burden of "piracy protection" onto it's consumer base.
And (really this time) lastly, the above is a major issue with the flagship consumers. It all ties back into "why try to corral a whole new demographic into software that isn't working" and then say "don't worry, trust it will be fixed in 1.5"...couldn't the Element wait? Why put the cart before the horse?