
By astral_Signal
Mon Nov 04, 2013 9:30 am
I need to make some changes to my drum library. I usually work with drum breaks from vinyl, and one-hits for layering. All recording is done through the MPC and stored on compact flash (8GB for drums, 16GB for misc samples and general tracks). All breaks in my current library are chopped (usually in MONO) and saved as programs.
Now, what I think I might start doing is either:
- Record all breaks in stereo and simply save them as stereo .wav files:
With this method I can audition each break against my primary loop/sample and then chop when decided.
- Build a new one-hit folder from recorded breaks:
This is the method I am aiming for, so instead of being lazy and just looping a break over a sample I can create my own drum patterns with various one-hits. Although I can seen issues with varying timbre/tonal qualities using multiple one-hits from different breaks.
- Don't store any drums and keep it old school:
I have a growing list of all breaks in my current vinyl collection. I can audition drums against samples/loops in real-time and then record them when decided. I love this method of building tracks on the fly and it works both ways i.e start with drums then audition samples (either with headphones or in MPC record-mode).
Any other suggestions? I really don't like the sound of one-hit 'drum libraries' from the net, would rather keep it real! Also, do you think I should keep recording into the MPC or use my audio interface instead? The pre-amps and AD/DA converters are probably better than the MPC, but I find it a lot more convenient just recording and sequencing on the spot in the MPC.
peace
Now, what I think I might start doing is either:
- Record all breaks in stereo and simply save them as stereo .wav files:
With this method I can audition each break against my primary loop/sample and then chop when decided.
- Build a new one-hit folder from recorded breaks:
This is the method I am aiming for, so instead of being lazy and just looping a break over a sample I can create my own drum patterns with various one-hits. Although I can seen issues with varying timbre/tonal qualities using multiple one-hits from different breaks.
- Don't store any drums and keep it old school:
I have a growing list of all breaks in my current vinyl collection. I can audition drums against samples/loops in real-time and then record them when decided. I love this method of building tracks on the fly and it works both ways i.e start with drums then audition samples (either with headphones or in MPC record-mode).
Any other suggestions? I really don't like the sound of one-hit 'drum libraries' from the net, would rather keep it real! Also, do you think I should keep recording into the MPC or use my audio interface instead? The pre-amps and AD/DA converters are probably better than the MPC, but I find it a lot more convenient just recording and sequencing on the spot in the MPC.
peace
Technics SL-1200 MK2 / Jelco TK-850S / Jelco HS-25 / Nagaoka MP-500 / Graham Slee Reflex M / Coleman Audio M3PH MK2 / RME Fireface 800 AD/DA / Kali Audio IN-8 V2 / Akai MPC Live 2


