Discuss the various methods you use in music production, from compressor settings to equipment type.
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By medearis Wed Jan 01, 2014 9:29 am
Howdy, y'all

I've been piecing together a DAWless project rig over the past few weeks. So far, so good! It hit me... I do not own any hardware compressor(s) and I do NOT want to rely soley on the MPC 1000's internal compressor.

SO - I've been diggin' around. Scouting compressors that seem to fit the budget & the job. FMR's Really Nice Compressor and Really Nice Leveling Amp BOTH look great. Only thing is, I will not be able to rent/borrow either of these units so I have to go in 'blind'. This is where some of you guys come in. Short of reading stuff on GearSlutz, I have no clue about the sonic character of either of these units. Most of the stories/reviews there are about vocals & guitar and seem to be written by people still in the honey moon phase or out of hatred because of user-fault.

Anyone here have either of these units? I'm really curious how they get along with your MPC and synthesizers, much more than how they work on what ever electric guitar.

This thing will be used in a ton of different ways BUT for the first little bit that I have it, I'll be using it as a master compressor on the way into my tape deck. Just throwing that out there!


Any words of wisdom are greatly appreciated!


Thanks :smoker:
Last edited by medearis on Wed Jan 01, 2014 8:15 pm, edited 1 time in total.
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By medearis Wed Jan 01, 2014 8:14 pm
Hmmmm! Maybe I should broaden my horizons here. What (hardware) compressor do you guys use? The FMR stuff is right up my alley (size & price!) but I'm willing to look beyond that.

Again, I'm not trying to go balls-to-the-wall here, I do not need anything intense or fancy. Just something that will work. :nod:

The ART VLA seems to get good marks in the price range. That's definitely an option as well. Still, my eye is on one of those FMR units at the time. They are talked about quite a bit but I'm yet to come across something talking about it being on the master buss (especially on the way in to tape). The particulars don't really matter though, I'm really curious about using it to compress a whole mix, that's all!


Peace!
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By damien907 Thu Jan 02, 2014 2:17 am
FMR is awesome.

i have used the rnc, rnla and the pbc-6a.

i went into the pbc-6a blind, and i wanted it for vocals. i was looking for a cheaper version of the 1176, and it delivered. i was floored by the sound quality. after i had it, i could no longer justify buying an 1176 because the pbc-6a covered my needs that well.
not to say that its going to be an 1176, but it filled the gap and i wouldnt consider buying an 1176 anymore because of it.

if you want a super clean compressor, get the RNC, thats all it is, super clean. its a no frils, natural sounding compressor, and oh man does it reduce the dynamic range nicely. i remember one time looking over wondering if it was working right, then seeing i was getting 12 db of gain reduction without even hearing it kick in. it sounds natural and if thats what your going for, get it.

if you want some more grit, get the RNLA, but if you have the extra money, i would just splurge for the pbc-6a its fantastic. not saying you wont be happy with the RNLA, i just had the extra money at the time and went for the pbc-6a sight unseen; i would have been happy with the RNLA too. although i was blown away by the pbc-6a.

i only ever used it on vocals, but i loved it, i have heard its does wonders on drums, but i never tried it on them myself. people seem to like the RNLA on drums as well

unfortunately i had to sell the pbc-6a, so next time i will probably get the rnla just because its cheaper.

i dont think you can go wrong with any of them really.

it all depends on if you want clean or grit.

the pbc-6a has some extra features that make it nice too.

another super cool thing, its a small enough company that if you ever have questions about them, you can call them and talk to the guy that makes them. hes a super cool guy.

just get one man, or if you have the money, get all 3 cause they are cheap!
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By medearis Thu Jan 02, 2014 4:11 am
I live an hour and a half away from where FMR is based (Austin, TX)! It will definitely be worth a trip up there to go and check some stuff out first-hand. I can't decide so I will probably end up getting both of them. Between the RNLA & RNC... it's a hard pick. Luckily, they can both be used for different things. :lol:
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By damien907 Thu Jan 02, 2014 9:14 pm
check the pbc-6a too man! if you can afford both of them, it can be versatile too.
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By sciguy Thu Jan 02, 2014 11:08 pm
I've got 2 RNCs.

I always have one hooked up for sidechaining. I got the other for whatever else I'd want a compressor for.

It is really nice, for how much it costs. The RNC's the one to get (vs. the RNLA) if you want it transparent. What you put into it is exactly what you get out, except compressed. No coloring or extra tone added. Which is more what the RNLA does, if you want that. Haven't used a RNLA myself, though.

If you're only getting one, I'd say go for the RNC, because it may be more flexible. But that would be useful to test them out to see for yourself.
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By medearis Fri Jan 03, 2014 8:04 pm
Since the price is absolutely right I think I'm going to pick up 2x RNC and 1x RNLA.

Me thinks they'll look nice sitting in a Funk Logic rack, but that's much further down the (perpetually long) road!

First on the list... 1x RNC and 1x RNLA.