Forum for all other samplers & synths such as Maschine, MVs, Akai S & Z series, Roland, Korg, OP-1, analog synths etc.
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By dabmeister Sat Dec 08, 2012 7:08 am
'94 was the year I purchased my first asr10

Sold it somewhere around '96 or '97

Purchased my current purple screen asr in '98 (current)

Kurzweil k2500rs in '01 (current)

MPC 4000 in '03 (current)

Korg triton rack in '04 (current)
By Dom Wed Dec 26, 2012 1:43 am
2011:
Korg Microsampler (October)
-First sampler and my favorite sampler; not a great sequencer.

Yamaha SU700 (November)*
-Did not like workflow; never spent enough time with it.

2012:
Boss SP303 #1 (October)**
-Great effects!

Boss SP303 #2 [broken] (October)
-Same as above; bargain price, I thought I could fix it... collecting dust.

Elektron Octatrack (November)
-Very interesting sampler/sequencer, haven't used it enough. I plan on sticking with it; potential. :nod:

*sold: August 2012
**returned: October 2012
By Unfolding Machines Tue Jan 01, 2013 1:15 am
Great thread! Good to know there's loads of other gear hoarders out there.

SP-606, 2007. Still using it all the time. Still the best sampler I own.
ESX, 2008. Bought because I had more dollars than sense (cents?), turned out it has some incredible workarounds.
MPC500, 2010. These forums probably aren't the place to say this but I don't like the MPC workflow. If only it had a JJOS... Gathering dust.
KP3, 2010, bought as an effect unit, barely touched the sampling functions. Goes nice with the ESX's FX loop.
SP-606, 2011. 2nd one bought on a whim, almost unused & cheap. Had to give it a loving home & another SP-606 to play with.
OP-1, 2012. Not too fussed on the sampler (yet to fully understand its methodology & workflow), but the synths are fun & 4 track tape recorder is a good challenge after all those sequenced samplers.
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By S.I.C.K THE DRUMGOD Mon Jan 21, 2013 7:24 pm
First sampler was a 24second joint by Gemini.That was around 93 I believe.I also had a Tascam 8 track.Then in 2000 my ex-wife bought me a SU700.I needed a couple hundred dollars more for a MPC so I stuck with the SU700.Actually bought it TWICE.The disk drive died on me so I moved on to the MPC500.The End.
By lastbref Sun May 19, 2013 11:03 am
Ensoniq EPS 16+ - My first sampler. I remember liking the way it sounded. I was looking forward to making my drums sound like Havoc's. But it would start to overheat and get staticky after leaving it on for more than 15 minutes, so I sold it.

Akai MPC 1000 - Wack, in my humble opinion. The pads and layout are lame. I sold it.

MPC 2000 - I liked everything about it except the sampler. Sounded kinda muddy and lifeless. I needed to pay rent so I sold it.

Ensoniq ASR-10 Rack - Amazing. It has a real live, cinematic sound to it--just the right mixture of brightness and grimyness. Great for punchy drums. Moderately easy to use. I kept it and still use it.

E-Mu Emax 1 Rack - This really is kinda like having an SP in rack form. That 80's E-Mu sound has a lot of character to it. Makes samples sound like an old movie. The analog filter adds that old Beatminerz flavor. Pretty easy to use for basic sampling, but kind of a weird machine overall. I kept it and still use it.

E-Mu SP-12 - The best machine for boom-bap drums and gritty sounds. I've thought about selling it a few times, but honestly the sound can't be matched and it's just a fun machine to work with.

Ensoniq Mirage Rack - Filthiest sounding sampler ever. It should be used sparingly due to the 8-bit grit, but its sound is so unique that it stands out in any track. Great for synth sounds (midi timing is better than the ASR) and bass. Very punchy. I kept it.

Akai MPC 60 Mk1 w/ 3.10 OS - This is a luxurious beast. The pads, the armrest, the intuitive layout, the smooth sequencer, the classic sound, the physical attractiveness. Best looking drum machine ever. I don't mind the bulkiness at all, I actually kind of like it. The sampler is better than having an S950 because I can just do all the effects in my DAW first and then sample into the MPC and have the same sound as an S950. I kept it.
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By vinyl_junkie_1620 Sun May 19, 2013 12:01 pm
Akai S-2800 First sampler I brought with my own money and owned i.e. didn't borrow long term
That other wise would have to be a Zoom ST-224.
2800 Doesn't get much use now days

Akai MPC-2000XL

Akai S-3200XL

Ensoniq EPS-16+ (Mainly used as a master keyboard)

Akai S-3000 (3200 spec i.e. fully loaded) Mainly intended to use for live stuff

All still have other than the Zoom

Image
By war424[CUBA] Mon May 20, 2013 3:01 pm
S6000, s5000 2x, s3000XL, s950, MPC60 MK l, MPC2000XL, MPC5000, back in '88 a Casio sk1.
Last edited by war424[CUBA] on Thu Jul 11, 2013 12:10 am, edited 1 time in total.
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By tonyscarbones Wed May 22, 2013 1:46 pm
fruityloops - 2003

mpc 1000 - 2005

mpc 2500 - 2009 (to present)

Emu e6400 - 2010

Ensoniq Asr-x - 2011

ASR 10 rack - 2012 to present

ASR 10 - keyboard 2013
By ja-ki Wed Dec 25, 2013 1:07 pm
2010-2011
EMU E6400
Akai S950 (switched it on didn't like it and switched it off forever)
EMU ESI32 (never used it)

all machines were borrowed from a friend, I liked the E6400 soundwise so I got

2012
EMU E4XT Ultra

2013
MPC 4000

and will get

2014
Roland MV8800

as I don't like the MPC for some reason and hope I'll find something in another machine.

The EMU will stay with me forever I hope as this is the most powerful sampler I have seen and used. Soundwise unbeatable at least
By sadzik Wed Dec 25, 2013 5:45 pm
2011:
MPC 2500
roland s-10(sold)

2012:
roland ms-10(sold)
mpc 60 mkI(sold)
akai s3000

2013:
asr-x

I dont regret selling mpc60, a little bit regret selling ms-10 because it gave me some kind of punch in high frequencies(hard to explain but sound was pleasureable). s-10 was nice but much to big.
By reeloy Wed Dec 25, 2013 10:46 pm
...akai s 900
...digidesign sample cell
...mpc 2000
...yamaha a 3000
...logic exs
...mpc 1000 jjos
...izotope iris

...exs, mpc 1000 and iris will be with me forever....
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By ascensionmusic Wed Jan 08, 2014 5:58 pm
Roland SP505 2002-2004 (Good effects..but the sequencer always sucked)

MPC1000 2004-2006 (had the original and the pads eventually wore out so i sold it)

MPC2000 2007-2008 (wanted a 2000xl but didnt have the funds..originally bought it with a faulty floppy so the price was really cheap ended up selling it for the MPC2000xl)

MPC2000xl 2008 - 2013 (During this period i've had 2 of these, one white and one blue mcd unit..had great workflow but I've always lusted over the Roger Linn series of mpc's..and my 2000xl was constantly crashing)

Ensoniq EPS Classic 2012 -2013 (had to sell it part of other equipment to buy a wedding ring for my fiance)

Ensoniq ASR-10 2013-Present (Missed my EPS and wanted to get another Ensoniq sampler to fit with the mpc..still have it..use it occassionally)

Ensoniq ASR-X Pro 2013-Present (a cheap craigslist impulse buy. Just something to sketch ideas out in the living room...still have it)


MPC60MKII 2013-Present (I always wanted to get into the Roger Linn legacy mpc's but the pricepoints were always crazy..this year found one in excellent condition with 3.10 and max memory for $200 on craigslist..done deal..still have it but my MPC3000 gets all my time.

MPC3000 2013-Present (Having the MPC60 made me just want the MPC3000 that much more with more sample memory and stereo sample capability. I've been trying to bounce between the two. I will never ever get rid of the 3000, the way the sequencer feels its the nucleus of my operation.


The last 4 samplers listed are my current setup. I've shuffled alot of equipment through the years but I've finally got my setup where i want it in terms of workflow.
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By stONy Thu Jan 09, 2014 10:40 pm
Casio SK-1
Casio SK-5 (1988-1992)
Played with these in the late 80's as a teen. Learned to use them with hi-speed dubbing on tape decks to get more time sampled, then would use lower keys to make lots of loops just to have something to write rhymes to. Later I would use samples with breakbeat albums. I thought I was the man back then. :lol:


Gemini DS1224 (1993-2002)
This joint made a man out of me! First I would use my high speed sample trick from tape decks & Casio SK's with the pitch high to get more time then pull the lever down low. Then I began to sample drum sounds wherever I could get them clearly. I would tap them out while simultaneously hitting the bank buttons and let the tape deck record my drum pattern. Next I would play tape deck back through channel 1 on my mixer and load new samples into the Gemini and flip them thru channel 2 of mixer while another tape deck recorded everything going on in the two mixer channels. I finally had an original beat and you couldn't tell me sh*t! LOL! Later on I got an Ensoniq MR-76 keyboard and would use its drums, make sequences, and do samples live from Gemini while tape deck records. If I messed up, had to start over from the top or freak the sample some kind of way to keep from starting over.


Boss SP-505 (2003-2005) A guy at a music store that was going out of business let me get one of these for free! I didn't know how to act to actually have a machine that had some drums in it and could sample with decent time, had effects, and I could actually sequence all in one machine? Heaven for me at that time. Only thing I hated was that it didn't have much memory and I never could quite understand the whole memory card thing at that time, so I had to finish a beat or two before I could put new samples inside of it and I don't like to rush finishing something I feel is not completed. At the same time, hearing some other sample or piece of music would drive me nuts and I would want to hurry and clear the samples stored so I could jumpoff some new idea or sample I wanted to get at. I learned that I didn't have to trigger samples to the beat 1 at a time, but I could actually come up with my own patterns by pressing when I wanted to and/or layering. Don't know why it took this machine, but this is the time I discovered that. Later got rid of it because I didn't know how to make the pads as responsive as they use to be.


FL6-10 (2005- ) Many people trash FL but I love it. There is so much I have yet to learn about proper terminology and tech attributes, so this was a great start for me to get somewhat familiar with DAW's. Once I realized(as far as my production habits were concerned) that it basically triggered sound files on my computer for me, allowing me to arrange and sequence, I went inside of the sound files and got rid of sounds I had no interest in, got Sound Forge and made my own folders of drum and sample sounds. Personally, I like to tinker with tech on my own until I THINK I know everything then read manuals because not knowing sometimes helps me to find ways to make things do what they shouldn't or learn new skills. I learned so many tricks with sounds bungling around with this program. My only gripe with working on the computer is that I have to premeditate music which takes some of my creativity away. I longed for the day I could get back to pressing pads and being able to be sparked instantly with an idea that I could flesh out in the moment.


MPC2000XL[/b] (2014- ) Finally I have the machine I've always wanted and its killing me that I cant just turn it on and take off because I have to learn where things are etc. As I learn the MPC I see/hear things that make me excited but like I said I have to learn how it works and where everything is...which is torture right now. Eventually I want to connect via MIDI with some type of DAW, but as of now I cant deal with all that tech sh*t (if anyone knows where I can read up and get better acquainted with the knowledge and terminology PLEASE point me in the right direction) and I just want to beat pads and nod my head to dope sh*t LOL!! :smoker:

I'll get there though...I do this out of nothing but love for music!
By Clint Sun Aug 10, 2014 6:33 pm
Updated.

Clint wrote:
2004-2011

MPC2000XL (sold)
MPC4000
MPC3000LE
MPC60 MK1 SCSI

Korg Triton Extreme 76 (sold)
Ensoniq ASR10 KB (sold to forum member)
Akai S-950 with IB-105
MPC60 MK2 (sold to forum member)
MPC60 MK1 (sold to forum member)
Akai S5000 (sold)

2012

Ensoniq ASR-X (sold)
Ensoniq ASR-X Turbo
MPC60 MK1 (sold)
MPC60 MK1 (sold)
MPC60 MK 1 (sold)
MPC60 MK1 (broken for parts)
MPC2000 (sold)
MPC60 MK 1 (sold)
Akai S6000 (sold to forum member)
MPC60 MK 2 (sold to forum member)
Akai S3000XL x2 (broken for parts)
MPC2000XL SE-3 (sold)
Akai REMIX 16 (sold)
Ensoniq ASR-10 Keyboard - purple screen
Akai S950 Max RAM (sold to forum member)
E-mu SP12 Turbo (sold)

Can use this as my inventory from now onwards. Bold = Still Have

2013

MPC60II with all options (bought from forum member)
SP1200 OG Grey (sold to forum member)
SP1200 94 Reissue (sold to forum member)
SP1200 98 Final Edition (bought from James Jeffrey)
MPC60 MK1(MINTY, BOXFRESH!) (bought from forum member)(sold/parted out)
MPC2000 (parted out)
S3000XL with EB16, 8 outs & 2nd FilterBoard (parted out)

2014

EMU E4XT
Akai MPC3000LE #2 (MINT, BOXED)
Akai S3000XL with EB16, 8 outs , 16mb flash ROM & 2nd FilterBoard IB304F (ProFilter)
Akai CD3000XL with EB16 & 2nd FilterBoard IB304F (ProFilter)
Akai S1100
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By ThobRom Sun Aug 10, 2014 6:55 pm
An SP 1200.
Eventually the sample time didn't fit the new music.
Not without syncing to other equipment, which I wasn't interested in.

Traded the SP for a 440.
I never got comfortable with that one.
Gave it away.

Bought an SP-808 bout '99.
How could you go wrong with "SP" AND "808"?!
It was a tvrd.

The first time I was burned by "modern" roland, they'll never burn me again!

Bought a 5 after it came out, almost the same price as a 1 but I wanted the portability.
I finally learned how modern MPC's work on the 5.

I had used a 60/2 before, loved the work flow but I couldn't afford one.
I tried a 2000 before I bought the sp808, hated the nu OS.

I eventually gave up on the 5, because I kept losing hard work to the wonky OS.
Gave it away for 100 bucks.

I'm happy and satisfied with a JJ 1000.
There's a few things I wish it could do,
but its pretty much everything I could ask for from a hardware samp.
Last edited by ThobRom on Sun Aug 10, 2014 7:05 pm, edited 1 time in total.