THE ADVERSARY wrote:MPCTNT wrote:
This few seconds may be a pain to some but U can also speed that workflow up by clicking the bank in software, since the GUI does show all 16 q-links on screen. I may one day scoop a used Ren, or even wait to see whatever the next generation of mpc controller and software may bring should that come down the road....
The real pain is that the dials are worthless not the limitation of how many there are.
Not sure what Akai was thinking with those flat, slippery Q-Links?
If the dials had a surface you could grip, were high enough to properly grab or at least some indentation then the matrix method used would be fine.
As it stand now it's the one true failure point in the design of the Studio.
I understand your pain if you place one finger on the studio 'dial' and turn it, but after my first day, I started placing index finger on one side, thumb on the other, and it became a habit of dialing into whatever setting I am working on.
I have yet to try the Ren but I did not want ot pay double for and audio interface that I was not going to use and liked the flat design with less knobs and button or need for power cord. I guess I was thinking mobility and not breaking knobs when I slip it in a backpack or luggage bag... As I mentioned I may still get a used Ren one day to keep at the house and take the studio along with me.
As old school hardware guy, I have adapted more than many of my fellow hardware guys that I know and do not mind doing more with mouse and keyboard, on the larger pc/laptop screen.
Just as they may one day make a new REN design, I hope they make a new studio design, or something between studio and Ren, portble without need to plug it in (hopefully FAR off... Get this one right for those that have been fans of mpc for many years!)