My point is that the cost of a standalone/hybrid MPC is probably too prohibitive for anyone to justify making it. The market has changed since the last 'true' flagship (MPC4000) - that retailed at £2300 in the UK which is approx $3500 USD, I can only imagine a standalone hybrid with all the bells and whistles everyone would expect from a 21st century standalone is going to retail for a similar price or even more.
Most of the standalone talk is all pie in the sky nonsense. It's easy to talk about how great this fictitious hybrid beast would be, but it's just wishful thinking and has no grounding in basic economics. As the specs go up, as the tech required increases, the price goes up, the development resources increase and the target market gets smaller and smaller. In the end, the only people who will be able to afford the mythical hybrid standalone will be the very producers who'd expect Akai to give it them for free for promo purposes.
These days home/amateur music production is a significantly larger market compared to 15 years ago, there's a lot of sales to be had from the bedroom producers so that's who Akai are primarily targeting - these guys simply don't have $4k to drop on a standalone MPC. I certainly wouldn't buy a $4k MPC, I don't care what it did and I certainly don't have faith in Akai's commitment to continually develop and support such a machine, especially if they are struggling to shift units.
Hey, maybe I'm wrong, maybe Akai can work out a way to achieve all this at a low price.
