kejlabal wrote:What if i don't want to normalize it ?
Than you do it by ear..
By zangetsu01
Thu Jun 08, 2017 8:36 am
Than you do it by ear..
By Moho
Thu Jun 08, 2017 8:51 am
zangetsu01 wrote:kejlabal wrote:What if i don't want to normalize it ?
Than you do it by ear..
Don't be ridiculous that's some kind of new age hippy shit.
(kids today huh
)If there's no reason for your words, then your silence ain't absurd.
By TheUnfuckwithable
Thu Jun 08, 2017 9:44 am
Moho wrote:zangetsu01 wrote:
Than you do it by ear..
Don't be ridiculous that's some kind of new age hippy ****.
(kids today huh
By MPC-Tutor
Thu Jun 08, 2017 9:48 am
I think a lot of this comes down to the usual identity crisis of the MPC. It's not a 'fully fledged' anything, it's an easy to use jack of all trades, always has been, which is why it appeals (it's certainly why I initially bought my first MPC). From a personal perspective as a sound developer, editing by ear just doesn't cut it, but then again I never even vaguely contemplate using an MPC for any serious sound editing work so I guess it's ultimately a moot point. Still, would be nice to be able to do a bit more with the sample editor so I don't need to use other tools for a lot of more frequent tasks - i.e. crossfade looping, effect processing (i.e. processing samples in SAMPLE EDIT using the internal effects), copy/paste functions and so on.
By Icepulse
Thu Jun 08, 2017 11:25 am
MPC-Tutor wrote:I think a lot of this comes down to the usual identity crisis of the MPC. It's not a 'fully fledged' anything, it's an easy to use jack of all trades, always has been, which is why it appeals (it's certainly why I initially bought my first MPC). From a personal perspective as a sound developer, editing by ear just doesn't cut it, but then again I never even vaguely contemplate using an MPC for any serious sound editing work so I guess it's ultimately a moot point. Still, would be nice to be able to do a bit more with the sample editor so I don't need to use other tools for a lot of more frequent tasks - i.e. crossfade looping, effect processing (i.e. processing samples in SAMPLE EDIT using the internal effects), copy/paste functions and so on.
I like to look at an MPC like an instrument; I work to master the device that exists.