In my case, the purpose of the MPCX was to replace my computer (Cubase/BitWig and a boatload of hardware), so I bought the MPCX basically for the following bullets on the Akai site:
- The X is truly a studio centerpiece
- Standalone MPC – no computer required
- 10.1” full-color multi-touch display
- 16 Touch-capacitive Q-Link controls with OLED displays
- User-expandable 2.5” SATA drive bay (SSD or HDD)
- 2 MIDI inputs, 4 MIDI Outputs
- 8 configurable CV/Gate outputs for the analog control of modular gear, such as classic synths
- 2 USB-A 3.0 slots for thumb drives or MIDI controllers
+ A variety of Akai screen shots
(The implication of the above, to me, is that all can be used for the purpose they were invented.)
I also watched most videos (lots with Andy Mac, because he show how to use it) available on the MPCX at the time before I bought mine, which was like 8 months ago. Now there are TONS of videos around, wasn't so back then.
I think I did decent research prior to buying an MPCX. So I will say this, after 8 months of using one and having participated in the Akai community support forum and some others as well, the status of the MPC X/Live is: it was not finished by launch, or by the time I purchased one, nor is it not finished now.
Unfortunately, this is a common practice in both the software world and for hardware anymore. I don't mind updates per se, but I bought all those computers and all that software for making music. I definitely did not buy it all because I have an interest in trouble shooting and manage the settings on and the connectivity between the computer, the software and the hardware connected to it. That is total BS.
Anyways, quite a few people tend to diss MIDI nowadays, it's old and all that. But the point of it is that it just works. Oh right, there *can* be hanging notes, but that almost never happens anymore, and so on. There is a reason MIDI is still around (e.g. 2 + 4 on the MPCX), simple as that.
The MIDI ports on the MPCX are obviously important to me (I have a lot of MIDI equipment), and so the hardware is there, but the MIDI software implementation? Two MIDI input ports, two USB MIDI input ports, each with 16 channels, that is 64 channels implying communication with a lot of external machines, and I cannot use ANY of them, OTHER than for the current track. I totally missed this before I bought it, because I wasn't in the MPC forums back then. But it is also not common practice with multiple MIDI ports, anywhere.
Four MIDI output ports, and all 64 channels available for communication with external synthesizers. I've heard that at least some of the older MPC's could channel inputs? Anyways, the most recent one cannot do it? That is just a deliberate way to cut development time (or worse thoughts). How can I say this? Well, they are working on multi-mode now, so there is little to be said.
Ok, enough ranting... it is obvious that a lot of things are being and will be implemented and expanded on, which means that, eventually, I will have my standalone centerpiece with all the things working as they should.
So in conclusion, and in my opinion, the MPC X is the most comprehensive standalone DAW-like tool available. I like the it very much.
(I am not interested in a discussion or argument whether the MPC X is a DAW, because the purpose of the MPC X is obvious, so if someone still wants to engage, Wikipedia works 24/7 at
https://en.wikipedia.org/wiki/Digital_audio_workstation. Enjoy!)