Support and discussion for all of Akai’s modern standalone MPCs including the MPC X / X SE, MPC Live 1, 2 & 3, MPC One / One+, MPC Key 37/61.
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By inflict3 Tue Jan 22, 2019 4:56 pm
Bezo wrote:I would only suggest being aware of the screen tech being different. It took Akai/Apple from OS 13.3 to 14.0 to fix screen compatibility issues. I started with a Touch, had an unrelated issue with my screen and took the opportunity to upgrade to a Live out of fear of future screen issues (Good lookin' Akai for facilitating that!).

Aside from that, the Touch did everything I needed. I was always connected to the CPU any way. The Live added some flexibility I haven't taken advantage of yet.


What?? Does apple really make the screens for Akai?? For some reason I’m not believing this..
By kaydigi Tue Jan 22, 2019 7:43 pm
inflict3 wrote:
Bezo wrote:I would only suggest being aware of the screen tech being different. It took Akai/Apple from OS 13.3 to 14.0 to fix screen compatibility issues. I started with a Touch, had an unrelated issue with my screen and took the opportunity to upgrade to a Live out of fear of future screen issues (Good lookin' Akai for facilitating that!).

Aside from that, the Touch did everything I needed. I was always connected to the CPU any way. The Live added some flexibility I haven't taken advantage of yet.


What?? Does apple really make the screens for Akai?? For some reason I’m not believing this..


The touch installs a video cardish driver, so he’s probably talking about a conflict with high sierra.
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By Bezo Tue Jan 22, 2019 8:12 pm
kaydigi wrote:
inflict3 wrote:What?? Does apple really make the screens for Akai?? For some reason I’m not believing this..


The touch installs a video cardish driver, so he’s probably talking about a conflict with high sierra.
My bad, should've been more clear. I only mention Apple as some blame Apple, some blame Akai.

Yeah, either the display driver or DisplayLink app was incompatible with High Sierra. My fear was that it could happen again. With the Touch being the oldest of the new generation MPCs and not mentioned on the last couple of 2.0 updates, who knows when its last update will be.
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By Lampdog Tue Jan 22, 2019 10:17 pm
I think it's drivers or software related issues. I don't think Apple makes or has anything to do with the Akai touch screens.
By jeff lick Wed Jan 23, 2019 2:59 am
It worked fine on Windows 10 but just mirroring the desktop? The monitor is 2 feet away I can look at. Perhaps I am not their target customer?
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By inflict3 Wed Jan 23, 2019 6:47 am
Oh, ok,. Got ya, sorry for the confusion..lol
By KINGWEBB Sun Jan 27, 2019 7:12 pm
jeff lick wrote:Thank you guy's. I am not at all disappointed with the X. I am disappointed with the /price/performance ratio. If it were like $1,500 as I said I would be much more forgiving. For the price I expected much more. Seeing as I do not "really" need a beat box I am going to try Maschine. I guess Touch (screen) has some issues too. I think the price I can get it for is much more fair. So I would not fault it as much. Nothing does it all today except a computer! That is why I only use it with DAW. The standalone disappointed me anyways. It is no 4000. Still love my 4000 and no complaints there. I find older hardware like ASR10, Proteous is still great. If you consider when it came out computers went 500mhz or so. Today these things are just not going to beat a computer. I do not mind being tethered to computer at all. Since I would be tethered midi anyways. I will try Maschine I guess.


If you have a 4000 and still love it and have no complaints, why not just sell the live and go back to the 4k? I have a Maschine Studio and every since I got my MPC Live its been collecting dust. Why? the pads suck, I have a great computer I just built and still get latency and software glitches. Also browsing sounds instead of making music. I'm on the Live every day. The sequencer is solid and zero Latency. This is my first MPC and I don't see myself going back to Maschine. The Maschine sequencer isn't that great, it works but clunky and not straight forward. I think having the option to be tethered to a computer is way better then being forced.
By jeff lick Mon Jan 28, 2019 6:28 am
In case you Guy's did not read other thread. I decided not to sell my X as of now. You have to figure even if I do not use stand alone. The extra features alone are worth $800 to me. The bigger tilt screen, 16 O-LED Q-links ETC. Mainly I would lose $300 if I sold it anyhow. Virtually making Touch just as much money as X anyhow.

Did you mean 5000. I have that one but not 500. Look, first of all I hardly use a beat box. I mainly play keys. So you can understand my bias to begin with. I overspent. Not the end of the world for me. I have not been a "Pro" for 25+ years.

So if I can justify these "toys" to begin with. Obviously I have disposable funds. Not selling beats or making any money with it. That does not mean I do not have skills. I can make a very nice beat if I must say so myself. Sure, other people are much better too.

The nice thing about these is you can be making music in a day IMO. Perhaps not very good, but still. Mastering keys takes years. I will say not to blow my own horn though. A crowd gathered at GC when I first tried it standalone. So I guess it is impressive enough. Although I have been using an MPC since the 80's.
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By Icepulse Mon Jan 28, 2019 12:51 pm
The Touch’s screen is just acting as a second monitor for the connected computer, displaying a custom GUI, via USB. There is inherent lag due to the screen mirroring. More in terms of the touch response than the relating of playhead position, etc. Unless newer versions of the software have improved this. I don’t know. The thing most obvious when operating a standalone model (for me, the Live) is that this lag doesn’t exist.
Bymember04959388 Tue Jan 29, 2019 10:42 pm
Why not just selling X and getting second hand Live?
Same exact features, half price.