Fanu wrote:Many very good things are cooking…is all I can say

Fanu wrote:Many very good things are cooking…is all I can say

Menco wrote:Or focus on what Akai Professional was built: sampling. Making or facilitating a very good sounding sound library, improve autosampling, Z8 deep Key-group edit mode to really go ham with multisamples and MPC400 drum program ability. Two area's Akai could really focus on improving (besides bug improvement) instead of many, and let other parties and companies worry about making the new sounds to use with the MPC. As icing on the cake extra audio ins for external synths you may sequence thru midi and a clever mixer to tie everything up. Saves a lot of time and energy on designing MPC standalone specific plugins.

CharlesRandolph wrote:Menco wrote:Or focus on what Akai Professional was built: sampling. Making or facilitating a very good sounding sound library, improve autosampling, Z8 deep Key-group edit mode to really go ham with multisamples and MPC400 drum program ability. Two area's Akai could really focus on improving (besides bug improvement) instead of many, and let other parties and companies worry about making the new sounds to use with the MPC. As icing on the cake extra audio ins for external synths you may sequence thru midi and a clever mixer to tie everything up. Saves a lot of time and energy on designing MPC standalone specific plugins.
Yes, sequencer, sampler, midi controller. The fact that it doesn't support MIDI Polyphonic Expression is a clear indicator they are behind. All these sounds and the musician can't bend notes like a Continuum Fingerboard, Linnstrument or a Roli. Unless this update includes that?
Eyalc wrote:Y'all got less than 1 month to get ya stuff together.


Eyalc wrote:I'm always concerned that 95% of people don't care about things like polyphonic expression, because what they care about is "press pad, play sound" type of composition - samples and clips.

Fanu wrote:Many very good things are cooking…is all I can say

Menco wrote:There is nothing wrong with that, but understand that I have other expectations of what a complete studio is than what you expect, or Charles, or Enoch. So whatever Akai will do, they’ll never be able to meet everybody’s needs. Akai is trying to, but basically has too much field to cover. Somebody will always feel left out on his/ her feature request. Akai tries to offer everything Ableton with Push can do, outmuscle Mashine and at the same time stay true to their original concept and workflow, by designing new up to date machines and building on relatively young software. So it’s nothing but logical that things take time to be perfect or that they drop the ball on certain parts.

Danoc wrote:All Akai has to do as a basic that will satisfy everyone and make people goOh Dam is:
1. Computer , most software run on a computer. Powerful one.
2. Sequencer which we have.
3. 256.Gig ram optional to 256.
4. Disk streaming.
5. Air synths and others.
All things we already have and whaeber they throw at it. This is what everyone needs.Menco wrote:There is nothing wrong with that, but understand that I have other expectations of what a complete studio is than what you expect, or Charles, or Enoch. So whatever Akai will do, they’ll never be able to meet everybody’s needs. Akai is trying to, but basically has too much field to cover. Somebody will always feel left out on his/ her feature request. Akai tries to offer everything Ableton with Push can do, outmuscle Mashine and at the same time stay true to their original concept and workflow, by designing new up to date machines and building on relatively young software. So it’s nothing but logical that things take time to be perfect or that they drop the ball on certain parts.

Eyalc wrote:
These two posts...
And neither of these posts are about NOT wanting the platform to evolve. It's about tightening up the foundational elements of this MPC platform and making it a serious music composition tool. And no, adding plugins, a speaker or Splice isn't what I'm talking about.
I'm always concerned that 95% of people don't care about things like polyphonic expression, because what they care about is "press pad, play sound" type of composition - samples and clips. You even see it in their trade show demos. There's never a midi keyboard hooked up to the MPC (at least that I've seen). I want to see them show up at NAMM, with an Advance 61 connected, and start the demo with "now this is really cool". Not "now this is really cool" and show me Splice.
Anyway, I gotta get to work on this project and stop venting frustration with this platform that I've been using my entire musical career. Still love it. Just want to see Nukai do it the justice it deserves. New Blue Soul Ten single coming in May. Y'all got less than 1 month to get ya stuff together. I'm bringing heat this summer. Who else is?

Cockdiesel wrote:Shit...if fanu Says good things coming, that means it’s good.

Unreallystic wrote:What people want from a MPC functionally isn't that big of a deal. Most users actually seem pretty happy with their X/Live/Ones, its just some of the limitations that feel immature given the year they were released, and certain thing - like polyphony.
