Grid View - painting & editing MIDI notes

Eyalc wrote:This is musical music right here. Feeling this track. This has sync licensing written all over it.

I thought the same thing. I also believe that no one is above practice.

In all seriousness, no one is suggesting that anyone is "above practice". You thinking that "practice" is a solution to a technical failing of the instrument's design just shows you do not understand the problem, nor do you understand the genre that is being discussed.

This silly posturing is adorable, though. You do you.

EnochLight wrote:In all seriousness, no one is suggesting that anyone is "above practice". You thinking that "practice" is a solution to a technical failing of the instrument's design just shows you do not understand the problem, nor do you understand the genre that is being discussed.

This silly posturing is adorable, though. You do you.

You only assume I don't know the genre, but the OP posted his music, I listened to it. Also.. I agreed with the OP on correcting and clean up grid view. I as far as the practice comment, again you failed to read the thread. This what he posted and why I said that.

antic604 wrote:Well, what if you do music where human feel is literally unwelcome and/or I'm too **** of a player to play the notes in time?

You're so hell bent on trying to argue and be right, that it blinds you from conversation. As far as the genre is concerned, I'm very familiar with it and how to program/produce for the genre. I know producer who play in the notes as well as program them. So please tell me again, what are you arguing about?


If you joined the Church of Dilla, you would have an open mind.

CharlesRandolph wrote:You only assume I don't know the genre, but the OP posted his music, I listened to it. Also.. I agreed with the OP on correcting and clean up grid view. I as far as the practice comment, again you failed to read the thread. This what he posted and why I said that.

The proof is in your posts, Charlie. You told the OP that "human feel" was better, when the OP said:

antic604 wrote:Well, what if you do music where human feel is literally unwelcome and/or I'm too **** of a player to play the notes in time?

That is literally the point of a sequencer quantization features and grid timing options. I get that you agree with the OP's request, but don't tell someone to "play better" and that "human feel" is better when that's NOT the genre of music they do.

CharlesRandolph wrote:You're so hell bent on trying to argue and be right, that it blinds you from conversation. As far as the genre is concerned, I'm very familiar with it and how to program/produce for the genre. I know producer who play in the notes as well as program them. So please tell me again, what are you arguing about?

If you joined the Church of Dilla, you would have an open mind.

Sure, Charlie. You keep telling yourself that. Also, J Dilla was a boring hack that does sh itt y music.

This is what I said: I as in ME as in WHAT I DO. Key word, I.
I play everything in, because it's the best way to maintain that human feel.

So again what are you arguing about?

CharlesRandolph wrote:This is what I said: I as in ME as in WHAT I DO. Key word, I.
I play everything in, because it's the best way to maintain that human feel.

So again what are you arguing about?

CharlesRandolph wrote:
What music doesn't welcome human feel?

You can solve your, bad playing with practice.

CharlesRandolph wrote:I also believe that no one is above practice.

In other news, water is wet.

Still don't know what you're arguing about?

You seem to be confused. I'm not arguing about anything, though your typical gas lighting is totally in form (which surprises no one). BTW, if you're going to call someone a BOOMER (do you even know the meaning?), make sure you check your sources first. I'm a Gen X-er, through and through.

If that makes you feel better. Does it improve the Grid View?

EnochLight wrote:
J Dilla was a boring hack that does sh itt y music.

I bet you haven't even heard 25% of Dilla's catalog of beats. Keep that man's name out of your man crush quarrels with Charles. How dare you!!

saltmcgault wrote:I bet you haven't even heard 25% of Dilla's catalog of beats. Keep that man's name out of your man crush quarrels with Charles. How dare you!!

saltmcgault wrote:I bet you haven't even heard 25% of Dilla's catalog of beats. Keep that man's name out of your man crush quarrels with Charles. How dare you!!

He thinks about me 24/7.

CharlesRandolph wrote:He thinks about me 24/7.

^^ Says the troll who has been butt crushing on me since I joined this forum.