By antic604
Fri Aug 21, 2020 6:22 am
Sorry for click-baity title, but that was my biggest dissapointment with MPC and it turned out to NOT be true at all. I'm talking about the alleged necessity to keep track & program structure intact across sequences if they're meant to be used in Song Mode. Page #285 of Live/One/X User Guide for 2.8 says this is the case...

...but in practice it's not - I can have 3 sequences, each having a completely different program on Track 1 and if I place them one after another in Song Mode they'll play just fine.
Obviously I can't consolidate a Song like that into single Sequence and have it play correctly, but why would I want to do that anyway?
So when has this changed? And why doesn't AKAI update their User Guide to reflect the changes? Several people now told me that this is how Song Mode works and - frankly - I wasn't even questioning it and checking it by myself, only to have someone on Reddit question me.
Another example - very obvious this time - is this nugget of wisdom on page #112, which is super weird in particular because the paragraph mentions Live II and One, so it had to be updated very recently:


...but in practice it's not - I can have 3 sequences, each having a completely different program on Track 1 and if I place them one after another in Song Mode they'll play just fine.
Obviously I can't consolidate a Song like that into single Sequence and have it play correctly, but why would I want to do that anyway?
So when has this changed? And why doesn't AKAI update their User Guide to reflect the changes? Several people now told me that this is how Song Mode works and - frankly - I wasn't even questioning it and checking it by myself, only to have someone on Reddit question me.
Another example - very obvious this time - is this nugget of wisdom on page #112, which is super weird in particular because the paragraph mentions Live II and One, so it had to be updated very recently:

MPC One // A4 Mk1 // OT Mk1 + Bitwig 3 // Studio One 5 // Reason 11


