MPC-Tutor wrote:renegadebliss wrote:These technologies are not 100%. I get copyright strikes all the time on Soundcloud and they are from me and my instruments, no samples. You simply write them back and contest that there is any copyrighted material on it and they take the strike off and make the song playable again.
Had that issue with Soundcloud, I made a demo for a piano expansion that used my piano keygroup instrument playing a MIDI file of a Beethoven piece, and got dinged because some label claimed it was sampled off some famous performance of the same piece. They were effectively claiming to own the rights to anyone performing a public domain Beethoven piece.
TBH I do find it difficult to see how they are going to claim on a single snare drum, I'm pretty sure contentID needs much more than 500ms of time to recognise audio fingerprints. Would assume it's a mistake and could (and should) be challenged.
The snare I used was from the ‘Vinylistics’ CD that was released way back in the ‘90s. The original source was from a break I used to love juggling on the turntables called ‘Midnight Theme’ by Manzel
The fact that YouTube dinged me for that snare shocked the sh!t out of me. It also made me realize how deep the algorithms go. If it caught a singular snare, then it can catch a singular note or chord.
I also fear that the technology will eventually unmask layered and filtered samples using frequency extraction and that to me is dangerous.
People think sample clearance is an easy process and I don’t believe Tracklib is a solution. The artists relations manager from Tracklib has reached out to me several times with offers to use their service and I declined.
I don’t trust it.
‘WhoSampled’ sells their database that information is being used to hurt the culture and some of you are willing participants in the destruction of Boom Bap music and I refuse to rock with that.
I will be okay.
My composition, musicianship, and production skills are beyond sampling and as a business decision, it’s better for me.
Sampling is a blood sport for me, but I can demonstrate my niceness and build the legend of my musical legacy through consistently releasing quality material through 12-Bit Records.
I love sampling, but I don’t need it or the hassle…