By
mesh
Thu Aug 21, 2003 3:42 pm
because my preamp is broken right now, i am pretty much using all plug ins for the sound i am getting. i have a night pro dual preamp that sounds real dope, but i havent been using it lately. i have a 828 interface(motu) which gives me my phantom power.
ok, so make sure you got a pop filter on the mic cuz nothing sounds more unprofessional than poppy P's. then make sure the mic is set up in a good spot. i use my bathroom a lot with a blanket over the shower curtain and a tall piece of acoustic foam to round out a corner. that is one of the biggest things. from the start you want to avoid any unnatural reverb which a bathroom can cause. play around with where you put stuff and the mic untill you find something you like.
once youre set up, try to record with a decent amount of headroom. i like to keep the peaks around -9dB. this keeps you clear of distortion.
so once you are done tracking, this is kinda the standard thing i do:
eq, preamp simulator with coloration and limiter, compressor.
the eq i roll the bass off around 40Hz, boost with a shelf at around 12kHz and then play around with it to see what i like depending on the mc. i like crispy vocals. you can also boost it with a bell eq around 16kHz for some extra crispiness.
Digital performer has a preamp simulator that i use. it is kinda like a channel strip. the main thing i use in there are the coloration emulator to add to the sound, and then the limiter. i am just knocking off peaks with the limiter because i am getting ready to compress it. so make sure you have a really fast attack and release time at this stage cuz you dont want to over squash it. dont attenuate much more than 5 or 6 dB.
Now adjust compressor with a typical vocal setting. not too quick attack, kinda slow release, about 3 or 5:1 ratio, and dont attenuate more than 6-9dB.
That s about it really. to save processing power i make an aux track with all those plugins on there and then group all vocal tracks through it.
just keep in my mind that with the limiter and compressor, start off with a very small amount of attenuation. those maximums are definitely that, you do not want to shoot for that amount, you just want to be on the look out for those numbers as a stopping pont. but you can tell with our ears what is right and what is too much.
let me know how it works out fo you. by the way, what mic are you using?