I watched this one. The guy seems to really have structured his whole studio around the Force.
- The template has dozens of tracks configured for the exact hardware setup, with many external MIDI devices (and a bunch of Akai/Air Force plugins) ready to go
- Some MIDI devices that were mentioned: Elektron Octatrack, Roland SP-404, Korg KP3, Nord Drum
- Everything is mixed through the Force with a Tascam audio interface (with nothing bypassing the Force? not sure)
- There are non-trivial routing facilities that'll probably require some practicing to even remember what's where, and what the routings actually do
- He uses some pads (clips) with the "exclude from launch" option activated, so he can use the pads for setting patches with MIDI program change messages
- He uses MIDI sends for layering sounds, so that the same MIDI track plays two different instruments simultaneously
- There's a "big ass drum program", which has pad banks/areas for many different things available at the same time: (1) drum samples, (2) MIDI out to Nord Drum, (3) Drum synth, (4) macros controlling mutes for the drum synth, arranged as pairs so that directly above every drum sound/note pad there's a mute toggle pad for that drum sound.
- He also "sequences" things from the Octatrack, but I'm not sure if that only meant using it as a MIDI keyboard.
I think some of that stuff could simply not be done with an MPC, for example the "big ass drum program", because there are only 4x4 pads, and I don't know how the macro contraptions would be done.
If I compare that with what I do, I always like to start from scratch and not have everything hooked in a fixed configuration. Start from something small like one MIDI instrument and one clip and expand from there, keep it manageable in size, preferably so that all tracks can be seen and controlled at the same time. And if possible, I like to bring things into the Force project as audio, either as audio clips or samples, so it all works after disconnecting all the outboard gear and without even having the external MIDI devices available at all later. I don't want to commit to having everything in one big fixed network, and having to make all those (physical) routings just to get a project working.
Anyway, it's reassuring to see that someone is comfortable with using the Force as such a centerpiece of a whole studio.
By the way, imagine how the Force (and why not MPC) could be expanded, if it was possible to set up external instruments, with MIDI mappings, names, labels, custom controller views etc. sort of like:
https://www.soundonsound.com/techniques/studio-module (blast from the past)
Excel? Lotus 1-2-3?
