
By Menco
Wed Jun 28, 2023 8:26 am
I've been a 500/1000/2500 user since 2006. I have a One since 2020 I had a hard time getting used to before upgrading to the X SE.
In my experience at first the FINAL BEATS on my 2500 sounded less clean than my One. I couldn't get my One to sound the way my 2500 sounds. Again, I am talking bout final/ finished beats. Freshly recorded samples without any processing sound very much the same, the 2500 doesn't sound dirtier in that regard.
What in my experience makes a huge difference is when you start blending samples together and when using the filters. In the 2500 I use the same LP filter on almost anything, giving everything somewhat of a cohesive sound. The snare sounding too bright? Add some low pass. Too much "space" between the bass and main sample? Add some low pass. Add some master compression to glue everything together to get the 2500 sound nice. Easy as that.
With the One I tried to apply the same strategy, using the filters in program mode. Since I started to use the EQ's more and stopped using the filters in program mode I was able to get the desired results. I also feel like the X/One/Live has a more of an open sound. Things don't blend that well together automatically like the older machines do. Instruments stand out more in the mix by default. Kick drums are smothered by the bass less often, snares cut through the mix with more definition. You can add more layers/ samples and instruments without things starting to get messy. This is where imo opinion the sense of "cleanness" comes from.
Again, using the EQ's instead of the standard filters makes it lot easier to shape sounds to sit well and blend together instead of sitting on their own island in the mix. Plenty of great FX in the dynamics section to glue things together and make them sound the way you want them to sound.
In my experience at first the FINAL BEATS on my 2500 sounded less clean than my One. I couldn't get my One to sound the way my 2500 sounds. Again, I am talking bout final/ finished beats. Freshly recorded samples without any processing sound very much the same, the 2500 doesn't sound dirtier in that regard.
What in my experience makes a huge difference is when you start blending samples together and when using the filters. In the 2500 I use the same LP filter on almost anything, giving everything somewhat of a cohesive sound. The snare sounding too bright? Add some low pass. Too much "space" between the bass and main sample? Add some low pass. Add some master compression to glue everything together to get the 2500 sound nice. Easy as that.
With the One I tried to apply the same strategy, using the filters in program mode. Since I started to use the EQ's more and stopped using the filters in program mode I was able to get the desired results. I also feel like the X/One/Live has a more of an open sound. Things don't blend that well together automatically like the older machines do. Instruments stand out more in the mix by default. Kick drums are smothered by the bass less often, snares cut through the mix with more definition. You can add more layers/ samples and instruments without things starting to get messy. This is where imo opinion the sense of "cleanness" comes from.
Again, using the EQ's instead of the standard filters makes it lot easier to shape sounds to sit well and blend together instead of sitting on their own island in the mix. Plenty of great FX in the dynamics section to glue things together and make them sound the way you want them to sound.



" 



