By B-Wise
Tue Aug 08, 2023 4:59 am
The things we do for our dirt!

B-Wise wrote:The things we do for our dirt!
Menco wrote:B-Wise wrote:The things we do for our dirt!
I usually bring out the girls and have a mudd fight.
johnnytravels wrote:LivePsy wrote:[
I’m glad you understand it. I still don’t know why he has to lug an E3400 everywhere
Probably because the new MPCs sound just a little too clean?
…
LivePsy wrote:Buy up the vintage but undervalued MPC2500s while you still can
LivePsy wrote:johnnytravels wrote:
Probably because the new MPCs sound just a little too clean?
…
Buy up the vintage but undervalued MPC2500s while you still can
johnnytravels wrote:Yes. I have three of them plus two 1000 (blue beats black in terms of that vintage sound) complete in box, waiting for the A/D converters to age just a little bit more so they sound even better in ten years…
Getting on the original Live next.

NearTao wrote:vintage capacitors... mumble mumble... ages like fine wine... mumble mumble... legacy addac...

NearTao wrote:vintage capacitors... mumble mumble... ages like fine wine... mumble mumble... legacy addac...
B-Wise wrote:NearTao wrote:vintage capacitors... mumble mumble... ages like fine wine... mumble mumble... legacy addac...
And don't forget that the metal cases used in vintage gear created an internal resonance that these modern plastic crappy cases will never emulate... NEVER!!!
johnnytravels wrote:
Speaking of the metal case: You know how these oldschool MPCs are so easy to repair by (more or less) just lifting the top off? That adds to the vintage transparency of the sound, you know, the feeling that you can hear all the elements of a track but it still sounds tight. I think this is also why the 1000 is so highly sought after nowadays because it is especially transparent in that regard.
jaymack wrote:that was parody, right?