Post your questions, opinions and reviews of the MPC1000. This forum is for discussion of the OFFICIAL Akai OS (2.1). If you wish to discuss the JJ OS, please use the dedicated JJ OS forum
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By OKJoy Wed Jul 31, 2024 9:30 am
I've been on the MPC 1000 since 2006. It's great, I feel like the design of the MPC really helps me make the music I want to make.

Recently though, I couldn't figure out the chops to a sample. I recorded just my drums into audacity and was able to timestretch and chop the sample to make it work, in a way that I just couldn't figure out in the machine.

This was an intro to a house track, so I added the part I made in the MPC after and was good to go.

My question to you is, what do you do in the MPC and what do you do in the DAW?

I feel like the conventional answer is that you chop and sequence in the mpc and mix in the DAW.

Just wondering if anyone has any different workflows I hadn't thought of.

Is it just whatever the track requires?

I feel like I've been kinda stuck in a mindset of doing all the sequencing in the machine and just hit record on the DAW. Trying to think beyond my usual habits though.
User avatar
By Lampdog Wed Jul 31, 2024 6:03 pm
I don't use computer for production at all. I am all hardware.
Then again, I'm not in any music business or any of that so I don't "need" to master and/or don't
even care about getting the best mix or master possible on pc. I do whatever I can on MPC/Kronos2/Key61.
User avatar
By OKJoy Thu Aug 01, 2024 9:34 am
Lampdog wrote:I don't use computer for production at all. I am all hardware.
Then again, I'm not in any music business or any of that so I don't "need" to master and/or don't
even care about getting the best mix or master possible on pc. I do whatever I can on MPC/Kronos2/Key61.


Yep me too my man, just MPC 1000 and record into audacity up til now.

I dunno I think I gotta just experiment a bit more with DAW's and really think about what's the strength of doing this in a DAW vs in the machine. Like the situation I just described in my original post, I new it would be easier to figure out the chop on a grid.

I'm considering changing to an MPC One, or one of the MPC Studio's, to use with Ableton.

Thinking it might be a situation like when I was DJing on records for a while before I got on Serato.

Wasn't up on the gear you mentioned, looked it up online, looks like some very dope stuff!
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By Lampdog Thu Aug 01, 2024 4:14 pm
I am way more relaxed than some people so I don't stress myself to use a daw or anything extra, I LOVE working on my machines to make music, it just feels better. I tried daw many times and never liked it, I understand how to use Reaper perfectly, it just doesn't "feel" right to me. I know a computer is more powerful but I don't even care, I'm happy with what I do. More power doesn't equal more "happy" to me. What makes me happy is pulling up a ...

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to my....
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to my....

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and going at it....

However you can get "happy" out of your setup/methods will ALWAYS equal better music and beats for you.
You know, that schit where after making a beat you get up and walk around the room thinking "DAMN!"
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By OKJoy Sat Aug 03, 2024 10:45 am
I hear you Lamp, I haven't delved into production with a controller, I think it wouldn't be as satisfying as hardware.

haha yep the chair is crucial, and yeah I just made a track today that surprised me, some soul chops.

@Menco, yep my setup is MPC 1000 -> Roland 505 -> Interface > Audacity

I dunno, I think I'd like to develop an understanding of when sequencing in software would be better. I try my best to mix within the 1k, but I know there's way more control for the mix in a DAW, that's one advantage I guess.
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By Menco Mon Aug 05, 2024 9:11 am
OKJoy wrote:I dunno, I think I'd like to develop an understanding of when sequencing in software would be better. I try my best to mix within the 1k, but I know there's way more control for the mix in a DAW, that's one advantage I guess.


Imo the MPC's sequencer reigns supreme over all the other sequencers because of it's simplicity and straight forward workflow. There are a lot things DAW's can do better than the MPC, like sample editing and mixing, but:

Lampdog wrote:
The hardware feel is more important to me than a computer DAW feel.
By Moot Thu Aug 15, 2024 8:01 am
Personally I do most of my sample chopping on the computer using the same copy of Cool Edit Pro that I've had since I got my 1st computer in 2004. This is mainly due to my work method, as I go on 'sampling binges' where I trawl through as much music as I can find & cut n' chop away, stockpiling for beats.
This works out well for me generally, as then all I need to do is transfer a folder full of fresh chops onto the CF card, set up a programme & I'm making beats within minutes.
I do usually tend to do more editing on the MPC itself too though, as some samples can end longer than they need to be & can be trimmed.

As for mixing MPC beats in a DAW, I've tried both recording separate stems (chops / drums / bass etc) & just straight up bouncing a full mix from the MPC itself, & these days I'm more inclined to do the latter.
YMMV though depending on what kind of sound you're going for, for dirty boom bap a full mix straight off the machine can often sound better.
User avatar
By Jean-Marc Liotier Thu Aug 15, 2024 10:15 am
Moot wrote:Personally I do most of my sample chopping on the computer using the same copy of Cool Edit Pro that I've had since I got my 1st computer in 2004. This is mainly due to my work method, as I go on 'sampling binges' where I trawl through as much music as I can find & cut n' chop away, stockpiling for beats.
Same here but with Audacity, which by the way has had nice improvements in recent years - such as clipping selection on bar.

But I still like to find the exact zero crossing sample beginning on the MPC... Not sure it is actually better but it feels good !
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By Lampdog Thu Aug 15, 2024 11:57 pm
Moot wrote:Personally I do most of my sample chopping on the computer using the same copy of Cool Edit Pro.

Shout to Peter Quistgard!