Support and discussion for all of Akai’s modern standalone MPCs including the MPC X / X SE, MPC Live 1, 2 & 3, MPC One / One+, MPC Key 37/61.
By herbie Tue Sep 17, 2024 9:48 pm
If I’m in arrange view and looking in grid mode and have the view zoomed in and want to overdub some new parts on a plugin track, as soon as I press overdub the view zooms out so all the events are tiny - this is frustrating as often I’m zoomed in so I can see events clearly as cues before I add my overdub.
Anyone else found this and is there a fix?
Is there a link to send reports to Akai as this didn’t happen prior to this 3 beta.
Thanks
User avatar
By Jean-Marc Liotier Tue Sep 17, 2024 9:51 pm
herbie wrote:the view zooms out so all the events are tiny - this is frustrating
MPC 3, priming Akai users to welcome the next MPC hardware launch, which will just feature a larger screen !
By Elektrobolt Wed Sep 18, 2024 12:10 am
jpeg wrote:Having different time signatures is defo a feature that should be present; however it appears that 2/4, 4/4 or 8/4 are the most comonly used for most modern musical styles.

Much of modern music is also made by minds that believe it has to be 4/4 or people simply will not buy it. And sure, it may not be all surprising and a few eyebrows raised, if, for example, Iron Maiden were to release a single with a waltz on the A-side. ;)

But all of this is a matter of expectation. If nothing ever changed much, we might still be clacking rocks and have a few samples of grunts to boot. No time signatures to worry about.
 
jpeg wrote:The odd signatures are seeminly for more arcane styles of music, like folk, waltz or other less popular ethnic styles.

That probably depends on what kind of music one has an interest in. For example, one of the song makers from Abba and the music for Chess, travelled around in Sweden and played folk music for his peers (yes, old people). So sure, it may not be mainstream, but what was your point? I mean, this guy may be old, but he understands it and he also makes "modern" music. Perhaps not music that you would listen to, but, nonetheless.

Personally, I simply enjoy using various TS for making new styles of music. I have no particular interest in say waltz per se, but I think there are interesting rhythms made, and to be made, in 3/4 TS's.

jpeg wrote:But it does not really make the music sound different per se; as u will still sound lik every other waltz or ethnic peice of music regardless

I strongly disagree with this, but that's how you see it.

However, I'll bite, going all the way down that rabbit hole, which then means that all modern music sounds the same then, I mean it's more or less 4/4 we're talking about. :)

Often music one has little or no interest in, sounds the same. I get it. But this is true for ANY music, not just odd styles of music. Just because a music style is old, does not really render the time signature old. Lots of modern music serve as evidence.

To me, country and western, as an example, and I am referring to the "mainstream" modern kind, all sounds the same. I am not saying it's bad in any way, just sounds bland to me, but that's because I do not like the music, at all.

3/4 may be called waltz time and may also sound like... waltz, but waltz is not the only kind of music you can make in 3/4. Waltz was simply an example of a type of music you can make with such a TS.

---

I may seem concentrated around 3/4, not so, it was just for purpose of discussion since that was already on the table, but I think absolutely any TS is fair game. Be creative!!!
By machinesworking Wed Sep 18, 2024 2:50 am
Over the years I have written rock, electronic, electro industrial etc in 7/4, 5/4, 13/4, 9/8, 6/8, 3/4 and of course 4/4. It probably comes from writing the melody first.
By IvoryBlack589 Wed Sep 18, 2024 1:00 pm
I think I'm starring to *get* the Arranger. It's not the second coming or anything, but it helps to have visual feedback when you need to make track level changes relative to the position of various elements in the entire sequence/arrangement. This is one thing I felt the MPC was missing compared to a DAW. Even if you use a sequence based workflow, I could see this being helpful if other things fall into place. I think maybe it's been presented the wrong way, as a replacement instead of a companion.
User avatar
By offline Wed Sep 18, 2024 3:44 pm
I've recently seen the auto-name functionality on Polyend Tracker - bring it to the 3.0 OS - for people like me struggling to come up with name for samples, tracks, songs etc it will be a game changer :D

pls akai, make it happen
User avatar
By Jean-Marc Liotier Wed Sep 18, 2024 3:48 pm
offline wrote:I've recently seen the auto-name functionality on Polyend Tracker - bring it to the 3.0 OS - for people like me struggling to come up with name for samples, tracks, songs etc it will be a game changer
Let a track's default name be "InstrumentName" + "TwoDigitsNumericSuffix" - or "InstrumentName" + "TwoDigitsNumericSuffix" if "InstrumentName" already exist !

Can't be more useless than the current default name !
By MoodyB Wed Sep 18, 2024 7:37 pm
IvoryBlack589 wrote:I think I'm starring to *get* the Arranger. It's not the second coming or anything, but it helps to have visual feedback when you need to make track level changes relative to the position of various elements in the entire sequence/arrangement.


When Akai add in track multi-selection to the Arranger view, so you can copy / paste / delete for more than one track at a time, it'll add to its value.
By B-Wise Wed Sep 18, 2024 8:27 pm
offline wrote:I've recently seen the auto-name functionality on Polyend Tracker - bring it to the 3.0 OS - for people like me struggling to come up with name for samples, tracks, songs etc it will be a game changer :D

pls akai, make it happen

They already have that on the Force with the clips being automatically named after track name & scene number, Track named is Kick1- will have a clip made on clip 1 be named Kick1- 1...clip 8 = Kick1- 8. Boy does this speed shit up, especially if make a project template with tracks already named.

What I wish they would provide is a word bank with the pads assigned to common names that we can customize so speed up texting commonly used words like Kick, Snare, Clap, Hook , Intro... & most definitely add copying/pasting text, even JJOS got that.
Last edited by B-Wise on Wed Sep 18, 2024 9:25 pm, edited 1 time in total.
User avatar
By Jean-Marc Liotier Wed Sep 18, 2024 9:13 pm
B-Wise wrote:What I wish they would do provide word bank with pads assigned to common names that we can customize so speed up texting commonly used words
Yeah - and we could write whole names by entering chords on a MIDI keyboard... Most natural text entry device - I wonder why it doesn't dominate !

But seriously, setting pads as shortcuts for common words during text entry would be neat.
User avatar
By Blue Haze Thu Sep 19, 2024 7:07 am
herbie wrote:If I’m in arrange view and looking in grid mode and have the view zoomed in and want to overdub some new parts on a plugin track, as soon as I press overdub the view zooms out so all the events are tiny - this is frustrating as often I’m zoomed in so I can see events clearly as cues before I add my overdub.
Anyone else found this and is there a fix?
Is there a link to send reports to Akai as this didn’t happen prior to this 3 beta.
Thanks



I always loop the area I want to overdub in arranger setting up the regions that way the zoom stays the same. I hope it helps. Loop area first expand the zoom, and then overdub.
By dustyslices Thu Sep 19, 2024 8:06 am
offline wrote:I've recently seen the auto-name functionality on Polyend Tracker - bring it to the 3.0 OS - for people like me struggling to come up with name for samples, tracks, songs etc it will be a game changer :D

pls akai, make it happen


Back in the day, FxPansions Guru and Geist had a nice auto naming options.
In the small ".ini" config file, you could specify a set of tags/keywords that sampler will look for in the file name of a sample on the pad. So for example you could specify that if there is a "BD, Kick, BassDrum etc." in the filename then the actual pad/track will have specified name such as "kick" for example. On top of it you could specify automatic pad colouring as well so every instance of that kick could be coloured in red or orange or whatever.
FxPansion is still part of inmusic so I don't get why they can't use that technology :hmmm:
By SoulfulTroublemaker Thu Sep 19, 2024 12:08 pm
IvoryBlack589 wrote:
SoulfulTroublemaker wrote:Is anyone using the MPC 3 with an external Audio Interface plugged in via class compliant mode?

I remember I have been able to do this with my Fireface UCXII in MPC 2.0 (although with lots of glitches) and I wanted to try out to see if this improved with MPC 3.0.
The MPC does not detect the interface now.


Mine is detected but its very glitchy right now. Sometimes there's random noise. Also monitoring multiple inputs at a time is buggy though I'm not sure if that ever worked.


Same issue here in terms of glitchy audio, no real issue with monitoring multiple inputs though, that seems to be working fine.