By
trupro
Fri Apr 29, 2005 6:13 pm
Sorry, but Juke's picture of
the "Drum Machines Have no Soul"
bumper sticker really pissed me off...
so I called the phone number on
it to scream on whoever; insult them, etc.
Well, what I got on the other end was
a Piano Player/ engineer in Los Angeles
who's pops owned a huge rocording
facility, which
mr. machine hater also ran for that
over 25 yrs. Anyway, he was real peace,
and was very engraciating of the fact that
I use electronics to produce music.
He says he loves great electronic music.
His beef is that after multitrack recording
was introduced, it took music as a business
out of the hands of the capable, and into the
hands of those with a lot less talent.
Now, that's his take. I definately agree
that IF you could somehow compare apples to oranges,
Nat King Cole was a better singer
than Puffy is a producer. I think you could argue
that ish that classy does make something like
a Bad Boy (post biggie) record seem disposable. But also
I agree that more tracks and cheaper stuff
has made music more disposable in general.
Back then, if it wasn't incredible music, it never got
released. Now it's like, if you have a southern accent
and/or got shot in the leg, you are considered 'sought after'
Turntablists and hiphop producers may not be
'real musicians' to alot of talented people accross the
globe, and that's something I can;t change and don't care
to convince anyone of. But the guy is right in one sense:
We used to have fantastic music that defined us
as a country and as a culture. And that, as
a shining light and a high artform, is dead to us
at this point in time. I agree with this dude that
alot of folks now don't have respect for standards like
PITCH, TIMING, AND MUSICIANSHIP, that used to
define who you were and your rep. How come people who listen to hiphop AND some big producer in LA who HATES hiphop are all saying the same thing?
"We are very much in need of some good music!"
So, anyway, go make some funky
sh!t.