Discuss the various methods you use in music production, from compressor settings to equipment type.

Good Idea or Bad idea?

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By Blaz4me Mon Nov 10, 2003 7:13 am
I'm sure a lot of you have either considered or have applied this method. If you're like me and can sit at the boards all day and turn out hit and misses this may be for you. What I am in the process of doing now is a tedious but to me refreshing.

What I recently made a new habbit is to create sound banks so to speak. I take either a 100Mb or 250Mb zip and I make sure not to format extra partitions. Next is the long process. I myself have numerous programs and some are basically copies of others just a couple different samples and tweaks different. So what I do now is load all my sounds onto one master zip. Because the MPC can only store 256 sounds max when I gewt the maximum I can load which varies due to sample sizes I save these sounds under a name like "Quick Transfer-A" This when I wish to transfer, sell or trade sounds all I have to do is hit load all pgms"Quick Transfer-A" or whatever the all pgms name is.

Another use for this kind of thing is again for those of you whom like me may use certain drum sounds a lot and tend to tweak them from time to time well heres a solution. save A pgm or all pgms and give it a new identifying name. So basically to sum up what I do is load up a bunch of sounds about 3/4 the size of my zip and leave the rest of the zip space for the programs/all programs commands or what some may identify as program maps/set ups.

on another disk I would make up folders and save my sequences in folders under the programs names. Why like this because on an average I use atleast 3 programs of sounds. I gotta have tight drum sets and I leave a program open in case I want to load up loops or non drum kit samples. Doing it this way in the beginning is a helluva task but it cuts back on saving errors big time. Your sounds are already on the zip all you would be saving is the pgm/all pgm blueprint.

And again all my songs and sequences I save in folders under the program or all programs names.

So what do you guys think, good idea or bad idea , and does anyone else have any suggestions? :roll:
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By itchyvinyl Mon Nov 10, 2003 9:22 pm
Really, it's whatever works for you....

What I do is I keep a "Project Disk" and a "Library Disk".

If I'm working on a track, I'll sample stuff and save my program/sequence/sounds on the Project Disk......but while I'm working on that track, if I sample a drum or sound that I think I could use again on another track, I save it to my Library Disk also.

The Library Disk is split up into folders for: Kicks, Snares, Hats, Rims, Claps, Breaks, Fills, OneHits, Basses, etc. etc.

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By PLATINUM1 Tue Nov 11, 2003 6:28 am
Yeah , I'm tryin to think of a new way to save my ish too!! I think documentation is the hardest part of doing tracks . What i do is have a coulple of good kits. so whenever I name something , it will have part of that kit in the name. I also learned how to send midi system exclusive from my proteus and my karma. So I record the mdi system exclusive on an empty sequence and it recalls the instruments when I run that sequence. Saves a lot of time for loading proteus or karma, but mpc freezes sometimes when sending exclusive messages. Holla
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By Blaz4me Tue Nov 11, 2003 4:07 pm
Exactly how do I go about recording midi info onto tracks?
And by the way thanx for that heads up on the mapping. It's pretty much what I wanted in a sense I know know how to pull specific keyboard notes using the MPC now. Now I just have to figure out how to tune sounds to the correct note or close to it. I'll hit you up as soon as I figure it out,