ORBITA

ORBITA

1. Choose your sound in the program-mode.

2. Go to the LFO Screen and select saw, sine or whatever.

3. Turn both levels (pitch, level) to 100.

4. Change the rate between 00.01 and 00.10 to hear the effect.

Enjoy.

cripsy vibrant effect,

not bad !

Ok waitup.. props to you orb but damn.. Jessiah's was a legitimate glitch... now everyone want's their own 'glitch' named after em.. haha

Aight, IlikeMypocketsFat.

Well I just want peeps to look at this stuff. So I called it a glitch.

Now for future use it is the orbiter

I actually liked the setting but I bumped it up to 0.25(rate) and put pitch back to 0. Fit somehting I needed. Anyways good looking cuz before this I didnt know how to use those. ha

Yeah, it's just using the MPCs LFO to do audio rate amplitude and frequency modulation. I do it with my Ion's LFOs all the time.

i still say samuraisam's glitch is better.

orbitale wrote:Check out this glitch, b****.

1. Choose your sound in the program-mode.

2. Go to the LFO Screen and select saw, sine or whatever.

3. Turn both levels (pitch, level) to 100.

4. Change the rate between 00.01 and 00.10 to hear the effect.

Enjoy.

this is not a glitch.

sparq wrote:
this is not a glitch.

Yeah, if you had a way of making the LFO frequency track the midi note, and did it with a pitched sample, you'd have a basic FM synthesiser.

Mu-Tron wrote:

sparq wrote:
Enjoy.

this is not a glitch.

Yeah, if you had a way of making the LFO frequency track the midi note, and did it with a pitched sample, you'd have a basic FM synthesiser.[/quote]


Nice one, i think this is impossible, but thanks Mu-Tron.

orbitale wrote:
Nice one, i think this is impossible, but thanks Mu-Tron.

Yeah, it would be, I can't imagine that many samplers having this kind of modulation routing


You get to learn all kinds of things coming from a synthesis background rather than a sampling one

Mu-Tron wrote:

orbitale wrote:
Nice one, i think this is impossible, but thanks Mu-Tron.

Yeah, it would be, I can't imagine that many samplers having this kind of modulation routing


You get to learn all kinds of things coming from a synthesis background rather than a sampling one

Agree with this one too, Mu-Tron. If you know how to tweak electronic waves you can do alot.

By the way check out my site

http://www.beatschraube.de

I also come from a synthesis background. Adding the LFO to the MPC opens up a whole bag of tricks. For example, try loading an instrument sample that continues to play a single note while the pad is held down (a worm sound works well here). Then set the LFO wave to Random, Rate to ~.03, and Pitch to 100. Atari anyone? Now slow down the Rate a bit and add some Reverb with lots of Feedback for 60's computer fx. Also, use a Square wave and adjust the Rate and Pitch to get a nice ambulance effect. The possibilities are endless.

Peace \/
Chisel
www.soundclick.com/chisel316

Chisel wrote:I also come from a synthesis background. Adding the LFO to the MPC opens up a whole bag of tricks. For example, try loading an instrument sample that continues to play a single note while the pad is held down (a worm sound works well here). Then set the LFO wave to Random, Rate to ~.03, and Pitch to 100. Atari anyone? Now slow down the Rate a bit and add some Reverb with lots of Feedback for 60's computer fx. Also, use a Square wave and adjust the Rate and Pitch to get a nice ambulance effect. The possibilities are endless.

Peace \/
Chisel
www.soundclick.com/chisel316

Great Stuff Chisel,

Now check out this one. Try this stuff called the Jessiah Glitch. Loop a sample with a start point =0 to an end point=120 (or whatever). Turn note on in the programm mode. Now you have that bass klnd of sound. Then use the thing chisel said. Murder.

orbitale wrote:Now check out this one. Try this stuff called the Jessiah Glitch. Loop a sample with a start point =0 to an end point=120 (or whatever). Turn note on in the programm mode. Now you have that bass klnd of sound. Then use the thing chisel said. Murder.

The Jessiah Glitch is NOT working anymore in 2.1, what you're hearing is just short loop.
The glitch added a metallic crunch to the sound >>example<<