By
cyrus
Thu Jan 26, 2006 11:20 pm
in the end it all comes down to whether it sounds good or not.
using your ears can be deciving, but you have to learn how to rely on them cause sometimes there is no other way.
Sometimes even a perfectly tuned drum doesnt sound the best.
sometimes you arent gonna find the exact tuning of the drum cause there are so many frequences that come into play.
this is what I do. I play the track and i go to the tuning of the kick or snare and move it up and down until it sounds good.
usually i find the best thing to get right is the kick and bass line because they are competing frequencies. solo out just the kick, snare, and bassline.
hihats are usually the easiest, just as long as they arent competing with hi end frequencies you shouldnt really need to tune them so long as your decays are were you want em.
the snare is probably the most audible. Alot of producers actually have 2 of the same snares slightly tuned differantly. So say you have a 1 bar loop, the first snare would be 0 and the second would be tuned up 1 notch or so. it helps push the loop along.
those are some things that i feel work, again, id say it all come down to what sounds good. Theres no real good formula. I havent tried using a tuner but that might work, but might not be 100% acurate either.
ooooh another trick is to play your track and leave the room, listen to the bass frequencies in a differant room, usualy you can tell if somethings out of wack with the bassline.
alot of all this has to do with mixing too. you dont want competing frequencies or clashing frequencies. SOmetimes panning or eq can fix. most of the time you can only tune so much so if the drums doesnt work within a few notches, switch to a new one.