mrcrappypantson wrote:
I know his resume. Disco guy. Lots of other stuff under his belt. He did some whack KMFDM remixes but I know he knows his stuff so you know his sample disk is nice.
ScarFace soundtrack is far from wack.

mrcrappypantson wrote:
I know his resume. Disco guy. Lots of other stuff under his belt. He did some whack KMFDM remixes but I know he knows his stuff so you know his sample disk is nice.

THE ADVERSARY wrote:mrcrappypantson wrote:
I know his resume. Disco guy. Lots of other stuff under his belt. He did some whack KMFDM remixes but I know he knows his stuff so you know his sample disk is nice.
ScarFace soundtrack is far from wack.
mrcrappypantson wrote:Flat18 wrote:Where did you get the CD?
A buddy of mine.

birdbrain wrote:if you are going to use samples, dig for **** sake.


Flat18 wrote:mrcrappypantson wrote:Flat18 wrote:Where did you get the CD?
A buddy of mine.
Awesome. That helps me.

birdbrain wrote:i'm not going to try to convert anyone to my way of thinking, this is only the explanation behind my thoughts.
i just feel that finding new good loops and breaks is a more important part of the beat making process. i mean i love good drum programming like jel and shadow but say you gave all the loops breaks and what not to make a beat to 10 producers here. i would bet that a good number of the beats they make with that set will sound pretty similar. i will never say that i think using sample cds is all right but unless you have some amazing programming skills to be able to make truely original compositions out of them i dont see how you could make any justification for them.

mrcrappypantson wrote: But Either way you go, "digging" or using a sample disk, you are still working off of someone else's labor.
