For discussion about setting up your studio and advice on the gear and equipment within it.
By oohotcarameloo Sun Feb 22, 2004 7:25 pm
you guys got so much knowledge i know you will led me in the right direction.I have no idea about preamps but im learning as I go.Cool edit and cubase(will be getting soon) both have effects,filters, compressors, gates and all that so i dont think i need to buy a preamp that comes with all that stuff included cuz i could just do the damn thing with my software str8 up.but after doing alittle research this pre amp looks like its pretty good, what do you guys think?

http://www.samash.com/catalog/showitem. ... odaythanks

[i][i]dbx - ProVocal Digital Vocal Strip ProVocal™ offers unmatched versatility for the project studio enthusiast at an unparalleled value. Perfect for applications including live, studio and karaoke, the ProVocal features a superb microphone preamp coupled with state-of-the-art microphone and mic-pre amp modeling for a wide variety of sonic characteristics. You also get classic dbx dynamic processing such as gating, compression, de-esser, and limiter, then on to chorus, flanger, delay and reverb. Other features include a 24-bit S/PDIF output with selectable 44.1 or 48k sample rate and MIDI control.
The ProVocal takes models of some the most sought after microphones and mic-preamps in the industry, and makes them readily available at your finger tips. The output versatility of the ProVocal offers XLR and 1/4” analog inputs and outputs and S/PDIF digital outputs, making it a truly flexible work horse for any vocal application.

Features:

Digital Preamplifier Modeling
Digital Microphone Modeling
Classic dbx Compression
De-Esser, Gate
Chorus/Flanger, Delay and Reverb Effects
MIDI Control
24-bit S/PDIF Digital Output
44.1 or 48 kHz Operation
Selectable Mic/Line Switch
20 dB pad, 48 Volt Phantom Power
Front Panel Instrument Input
Balanced 1/4” or XLR Outputs
[/i][/i]



is dbx a bad brand, could someone suggest something better for cheaper, what do you guys use?


the mic im going to be working with is either a rode nt1000 or a at4040,im not looking for a colorful feel, i want str8 up crisp warm flatness, holla back

By oohotcarameloo Sun Feb 22, 2004 7:37 pm
plus... i usually always use the full level function on my 2kxl but when i use my keyboard(for melodies n ish)i cant do that so it would be nice to run ssounds from my beats thru the preamp to give them a more official sound before they get multitracked and that would be really nice too.

By homershines Sun Feb 22, 2004 8:26 pm
Sounds nice.
DBX makes a range of gear from amazing to crap.
If it sound slike it meets your needs, see if you can check it out at the store.

Peace.

By oohotcarameloo Sun Feb 22, 2004 11:11 pm
yo just got back from the store,

they have one of these for 120 bucks on sale and they only have one.and its the one they used on the sales floor but it still have the same warranty and everything so hey i think i should get it.they just put that one down because they are overstocked and want to get rid of it fast,its a hard deal to pass up but i wanted to check wit ya before i copped it...check it out...
http://www.samash.com/catalog/showitem. ... odaythanks

[i]Presonus - MP20 Two Channel Microphone Preamp

The MP20 was designed to enhance the performance of any console or digital audio workstation by providing two very high-end microphone preamplifiers. The MP20 affords you an amazing choice for the front-end of any analog to digital converter. The MP20 was created utilizing the very best in design parameters and components with a friendly user interface.
Features

Class-A Discrete, Dual Servo Microphone Preamplifier
20dB Pad
48V Phantom
80Hz Roll-Off Filter
Polarity Reverse
IDSS Control - Creates Vintage Warmth by Adjusting Even Harmonic Distortion.
12 Segment Level Meter
High Output Headphone Amplifier
Identical Technical Specifications as the M80
Low Impedance Stereo Mix Bus can be used for Full Control Over Stereo Imaging
Fully Loaded Back Panel Featuring XLR Balanced I/O Connectors as well as Separate Send and Return Jacks for Inserting Dynamics Processors (such as the ACP22)
1/4", High Z Input on the Front Panel for Instrument Preamplification
Mix Output Connectors are XLR Balanced Providing Connectivity for Professional Recording Systems
Specifications
Number of Channels: Two
Dynamic Range: >120dB
Noise Floor @ Bus: -90.2dBu
Noise Floor @ Main Output: -96.4dBu
Noise Floor @ Channel Output: +24dB gain, -88.2dBu
Headroom: +24dBu
>Frequency Response: +/- 0.5dB, 10Hz – 60kHz
Crosstalk: <82dBu @ 10kHz
Channel Gain: +12dB to +40dB
THD + Noise: 0.00%
THD + Noise Max IDSS: 0.5%
Input Impedance: 1.3k Ohms
Output Impedance: 51 Ohms
Master Output Control (Bus): -72dB to +10dB
Metering: Full Scale
Send Output Impedance: 51 Ohms
Return Impedance: 10k Ohms
Internal Operation Level: 0dBu = 0dBu
Input Connectors: XLR and 1/4" TS
Output Connectors: XLR
Send Connectors: 1/4" TRS
Return Connectors: 1/4" TRS
Power Supply: Internal, Toroidial, Linear Supply
Power Requirements: 100VAC to 120VAC or 200VAC to 240VAC
Main Connection: IEC Receptacle
Size: 1U Rack, 19" x 1.75" x 7"
Weight: 6 lbs.

[i][/i]


its being sold for 500 everywhere, even at the store but they are just trying to get rid of it so tthey marked it down to 120, they said if u want it get it now because its going to go fast.

what do you guys think? i think its a no brainer!!![/i]