Ok, as long as you're aware that your MPC produces an analog sound anyway, just as a 4000 would do.
I am, thankfully, aware of the difference between digital and analog and their corresponding signals. And that's why I would prefer to dedicate a high-res/bit-rate ADC (such as the one in the Digi 002) for vinyl sampling. However I'd be willing to use the MPC4000 if it's anything like the MPC2000XL (which I'm hearing isn't necessarily the case).
How do you do your mixdown then? Could it be a flaw in your technique maybe?
Oh it most definitely can be me, don't get me wrong. However I've been relatively successful with beats made in Reason/ProTools...I'm not sure why...maybe they just sound better to people. But to be honest, where I've gotten a reaction from people with these beats, I'm not really pleased with a beat unless it was made with a drum-machine. I've started to incorporate my MPC2000 into my setup as a straight MIDI controller with awesome results; but I'm still wondering if it's possible for me to get the same results with a beat directly off the MPC2000 itself. I guess I'll just have to keep researching.
With that said, is there a way to transparently track (no DAC) from the MPC2000XL?
ok....all of a sudden, overnight the MPC 2000 just magically got this grime you speak of...
I'd say the "grime" isn't necessarily from the MPC2000 itself, maybe more from the way the MPC2000 is used as an instrument and as a piece of studio gear. This is why I'm asking...I know the MPC2000 colors the sound...any a/d conversion does...but perhaps the "grime" is more than just colorization itself....maybe it's the techniques that are used (e.g., sample chopping and the nuances specific to the MPC, drum/sample layering, etc.)...the procedures that are used (e.g., tracking: analog->digital->analog->digital->...->CD vs. analog->digital->digital->...->CD)....and/or a combination thereof.