By J Smacks
Fri Jan 31, 2003 1:54 pm
It depends on what type of song you are doing. I sampled a whole roland xp 50 set on tape and used some mellotron sounds from the keyboards of the 60's and 70's to give me a dull and dark sound.
When you distort the tape this work good for more aggressive type sounds like hardcore hip hop with a rock edge to it. I did this for some guys who had a performance to do who liked rock type stuff.
These days I think it is good to find a snare with good dynamics. Before using a compressor try finding a good sample. Try using a compressor to change the level of the attack of the snare and see how you want the body of it. It is also good to layer snares with almost anything. Rimshots make good layers. Claps sometimes. Even open hats, vocal or animal samples mixed in low.
I guess the morale is you use a different effect for the type of mood you are trying to create. Some of the thinnest snares can make some of the hardest hip hop songs. It just matters on what other sounds you are using to complement it.
When you distort the tape this work good for more aggressive type sounds like hardcore hip hop with a rock edge to it. I did this for some guys who had a performance to do who liked rock type stuff.
These days I think it is good to find a snare with good dynamics. Before using a compressor try finding a good sample. Try using a compressor to change the level of the attack of the snare and see how you want the body of it. It is also good to layer snares with almost anything. Rimshots make good layers. Claps sometimes. Even open hats, vocal or animal samples mixed in low.
I guess the morale is you use a different effect for the type of mood you are trying to create. Some of the thinnest snares can make some of the hardest hip hop songs. It just matters on what other sounds you are using to complement it.




