Gggeeoorrggee wrote:Cheech wrote:still it takes talent and ear to find some melodies or riffs... a straight two bar loop that's actually starting from the middle of a bar, from a 15 minute, odd time signature free jazz session that you need to sample through the left channel because on the right channel the saxophone is mixed way too high etc etc..
If thats your idea of puttin in work, then i have more respect for a 7th grader learning the flute in music class. Thats just the technical side of sampling not the creative side.
no that's not just the technical side of sampling, the only thing referring to anything technical was the sampling through the left channel part. what i meant was that if you gave ten different people the same 15min free jazz joint, you would most likely have ten very different beats.
i couldn't give a fck whether you or any other faceless internet person respects me or not. i've been playing and making music all my life, the mpc is only something i've been doing for a few years, and i only make beats for the fun of it. unlike most people in here i couldn't care less about shopping my beats.
and really, i love souls of mischief for example, but what are their beats if not just loops and breaks and loops and breaks?
and don't give me none of that "sure, but it ain't 94 no more".... i bet people said that same shht in the eighties as well, "come on man what's with you and that 70´s sound, don't you know it's the eighties now? get with the times, ain't nobody want to hear that same sound anymore..."
and then everyone turned in their rhodes for a synthesizer, and their drum kit for a set of electronic drums..