By HerbertH
Sat May 26, 2007 6:39 pm
Hi,
I just wanted to make sure got the limitations right:
- it is only possible to assign one slider to one pad at a time, so I cannot manipulate all smaples of a program with one slider, right?
- I cannot set the slider to work on different pads in different sequences, so it is rather hard to manipulate different pads when using the unit on stage, right? Is it possible to change the slider assignements with control message maybe?
Thanks for any hint in advance,
Regards
Herbert
PS: I am still disgruntled about the issue that I cannot really use keyboard samples with the MPC 1000 because it doesn't release correctly when using the sustain pedal. Just wanted to mention this so my (MPC)world-weariness is not forgotten that soon. I like the MPC better than Cubase with a zillion plugins anyway. Peter Glaser, a German I don't know what, expressed why in an interview; he was talking about the early Kraftwerk works (I am citing from memory): "There is this new computer and they use it to produce some sound. The computer says: 'Hey, I got one billion other sounds, why don't you try them all?' And the Kraftwerk people said: 'No thank you, we got just what we wanted.'"
I just wanted to make sure got the limitations right:
- it is only possible to assign one slider to one pad at a time, so I cannot manipulate all smaples of a program with one slider, right?
- I cannot set the slider to work on different pads in different sequences, so it is rather hard to manipulate different pads when using the unit on stage, right? Is it possible to change the slider assignements with control message maybe?
Thanks for any hint in advance,
Regards
Herbert
PS: I am still disgruntled about the issue that I cannot really use keyboard samples with the MPC 1000 because it doesn't release correctly when using the sustain pedal. Just wanted to mention this so my (MPC)world-weariness is not forgotten that soon. I like the MPC better than Cubase with a zillion plugins anyway. Peter Glaser, a German I don't know what, expressed why in an interview; he was talking about the early Kraftwerk works (I am citing from memory): "There is this new computer and they use it to produce some sound. The computer says: 'Hey, I got one billion other sounds, why don't you try them all?' And the Kraftwerk people said: 'No thank you, we got just what we wanted.'"


