
By detroit
Tue Jul 31, 2007 3:09 pm
can anybody give good reasons why i should go with the 500 instead of the cheaper sp 606 for making hiphop beats?

moyphee wrote:The 606 is 44/16 in and out. There's no compression at any stage. I myself can't hear any when sampling stuff like Jazz and Classical that have variable dynamic qualities in the music. You can apply compression with MFX and it's very possible that's what you heard. All of stuff out Soundforge plays back exactly as it put in.
A friend of has one and I like it except for being non-MV compatible it's pretty sweet. The software takes it to a different level. It's not an MPC so you'll have to be willing to set aside what you already in term of work flow. That said you'll be right at home if like the MPCway of doing things
You gotta sit at them both to know what right for you. Also go on Youtube ask the video makers what they think and how they like it. It really helped me decide on my X6.
jk81 wrote:whats up, I'm from the D too. I'm also looking at both these samplers, but the 4 track sequencer really turned me away from the 606. Basically, a simple beat, if your recording a kick, snare, hihat, could take up to 3 tracks if you want each at a different volume. Which leaves you with only 1 track for your music. If your just chopping a sample and putting it over drums, this might work w/ 4 tracks, but if you want to add like a bassline or any other instrument or percussion, you probably won't have enough tracks to record on.
From looking at the 606 and its price, this seems like it would be an amazing sampler/sequencer if it had even 8 tracks to record on. It doesn't make sense why they only gave it 4, when the 500 has 48 tracks.

detroit wrote:what about sp 555 what kind of sequencer does it have its also alot cheaper than the mp??