sinister_keys wrote:i recently got a contract in the mail to work with B-real from cypress hill
on a mixtape he is produceing entitled "the harvest" the catch is i will be a work for hire artists and WILL NOT be compensated .. i get a copy of the completed track , marketing tools and materials and i can legally say i have worked with cypress hill but the major catch is i have to pay 5000 dollars to be put on??? plus the expense to get to california and back and ill be there for a week ... sounds OK but the money seems a bit steep ..
so the question is how much is too much to be put on??
are you talking about doing a beat with him or spitting on a track? cuz its a lil different
either way, its a bad situation you've got here. if its for a beat, you should not pay anything no matter who it is. if its someone who can get you some shine, do it for the credit and the exposure and do it for free. but do not pay anyone to do a beat for them. and then its work for hire too, thats some more bullsh*t whether you're making beats or spitting. you should at least get your credit and publishing. then to top it off you gotta fly yourself out there to do it? F*CK THAT.
Sounds to me like B Real is trying to find a new way to hustle since noone is checking for him any more and he aint selling no records. He knows there's a lot of kids out there who would definitely pay that with the quickness to say they worked with B Real though. Not a bad hustle on his part, but shady as hell.
all that being said, people pay for features all the time to have a name artist on your track. it works to expose you to a larger audience, get the right people listening to you who could put you on, get DJs to play your record, etc. look what it did for someone like Florida with T Pain. Flo-rida was unknown, but T Pain was real hot at the minute. You can bet T Pain got paid nice for that, plus publishing.