By cut out
Sun Jun 06, 2004 6:30 pm
but it don't pitch bend - it only shifts midi note info up and down.
By Chisel
Mon Jun 07, 2004 7:52 pm
And.. it only changes the pitch of the ENTIRE sample. Meaning that if you have a long sample and you move the slider during the playback of this sample, it doesn't change pitch. You can also use them to control other parameters like sample layers. The problem is, you have to manually set the range of each of the four samples per pad. And the slider only controls one pad at a time. Honestly, I don't see much use for these sliders. I'm interested to hear who have put these sliders to good use.

By tgw617
Mon Jun 07, 2004 8:10 pm
i have found that with the q link sliders that i can take two of the same sample, ex: snare, and very easily change the pitch on one of them and i have two simlar sounding but different samples.
i dono it just makes more possibilites from the samples i already have ya no. but i hear you when you say that the have no real good use.
peace
i dono it just makes more possibilites from the samples i already have ya no. but i hear you when you say that the have no real good use.
peace
wild cause we know theres no jehova watchin over us...
By Chisel
Mon Jun 07, 2004 9:56 pm
The Q-Link is too restrictive to do this. Just use 16-levels set to Pitch. That way you have an octave and a half to work with. That should be enough range for a nice bassline.

By deity13
Tue Jun 08, 2004 8:04 am
fizix wrote:so the harder i hit the pad the higher the pitch is? Sorry I'm new to this...
no man he meant the 16 level functions (TUNE) which takes the same sample and spreads it over 16 pads. Just turn it on and hit a few pads you'll understand. You got that confused with velocity dependant on how hard you hit the pads,
know the ledge
By cut out
Tue Jun 08, 2004 11:37 am
Chisel wrote:And.. it only changes the pitch of the ENTIRE sample. Meaning that if you have a long sample and you move the slider during the playback of this sample, it doesn't change pitch. You can also use them to control other parameters like sample layers. The problem is, you have to manually set the range of each of the four samples per pad. And the slider only controls one pad at a time. Honestly, I don't see much use for these sliders. I'm interested to hear who have put these sliders to good use.
so far i've used them for jamming basslines during live gigs (set to tune) and also for jamming and recording in filter sweeps... it is dumb as you like that you have to select the track in order for the Q-link to work, but there ya go... i usually make sure any Qlink tracks i want to use playing live i have on track 1 and 2 so they are easy to swap between.
By TerroristProphecy
Tue Jun 08, 2004 1:11 pm
I havnt really found a great use for the Q-links myself.. but u can get a decent saw wave by taking a tiny tiny tiny piece (one peak) of the wave form of a saw wave and assign it to a pad and put loop on.. then use the q-link to change the "tune" of the pad.... kinda good when it works... dunno if u can do anything else but saw with it working correctly.. i dunno?
anyone else got any uses for the Q-link? I aint really found em that useful unfortunately...
anyone else got any uses for the Q-link? I aint really found em that useful unfortunately...
"Original rules, new school tools, what we use, when we fuse" - Braintax
"I Stay up late, hit the crates and create"
"Sometimes.. Im full of self-pity.. my only companion, is the M..P..C" - DJ Embee
"I Stay up late, hit the crates and create"
"Sometimes.. Im full of self-pity.. my only companion, is the M..P..C" - DJ Embee
By Chisel
Tue Jun 08, 2004 6:42 pm
Yeah, I meant TUNE (don't know why I said PITCH hehe) Anyway, I like that idea of tweaking a looped sample with the Q-Link slider. I'll have to try that. Thanks!


