NearTao wrote:You can definitely go stereo to the venue's mixing board, but you'll have to ask them how they are setup. Plenty of venues only output a mono signal so you'd need to know beforehand do they only play the left or right channel, do they mix them (which can cause phasing issues) etc. It's usually a good idea to listen to your mix in a few different environments first so you know ahead of time if you'll have any potential issues like missing half of your stereo field.
If you know that the venue is (or is not) going to mixdown your L/R signals to one channel, then you can do it on your end ahead of time if necessary if you've got your own mini mixer. Personally I'd get the mix correct in the MPC though, as your sliders and knobs will have a tendency to get bumped on accident during a gig and levels/pans will likely be different from song to song if you use an outboard mixer. The MPC does have an onboard mixer after all. The benefit of an off board mixer in my mind would be that you could tweak levels on the fly as necessary, but you need to let the venue engineer know ahead of time you'll be doing this as it isn't ever fun to have the the engineer adjusting for your adjustments...
I would def secure the mix in the MPC. Use the mixer to add other elements. Like I will use a mixer for a couple different samplers live....
I think you shouldn't carry any amps. I haven't seen many hip hop cats do this, and most clubs who book hip hop shows know this. If you play a real different show you might call ahead and ask so you can borrow one.
Also, you will potentially blow amps because when using things like an MPC your frequency range is the entire spectrum and amps are set up for certain frequency ranges and certain decibel signals... like a guitar amp is expecting a low input from a guitar (because guitars are quite like turntables)
Just some food for though
Good luck.